Originally posted by Gooshin there are more poor people than rich
i would rather have the photographer base be watered down with the few rich people trying out a new toy, than completely washed out with a typhoon of soccer moms and what not.
as for teaching poor kids, thats what the pawn shops, school inventory, and ebay are for.
and for the kids with slightly more scratch, entry level stuff.
back in the day, when someone started out with film, did they buy the most expensive colour slide film? NO, and did professional slide film ever drop in price? eh?
Besides Pentax already was the "cheaper" option, now its pretty much free!
Well, Gooshin, the fact is that the rich people buying the fancy cameras with all the bells and whistles is what *makes loading down what's supposed to be a working tool with expensive nonsense* what you mostly *get* when you plunk down for a 'Professional-grade' camera... also it means that these precision instruments exist in enough quantity to be even *obtainable at all* in some regards.
Yes, with film, you can put a Super Program or an AE-1P in in someone's hands, and a decent lens, and someone can more or less get the same results as the 'Pro' cameras of the day, ...if you can work around it not being the most durable or nice-by-degree-with-actually-useful-if-expensive stuff.
Of course there were always differences, and generally worth the money if you could afford them, ...nowadays you pay for bells and whistles if you just want something analagous to aperture and shutter speed controls.
'Soccer Mom' cameras from back in the day, actually, (Really 'football dads, to be honest) are exactly the kind of thing you'd own, starting out, if not the likes of Nikkormats and Canon FT types and K1000s. You'd *put* the good slide film in there, you'd *put* the decent glass on there, and as long as you could get the shot, you'd get the shot, more or less the same as a thousand dollar body would deliver.
You could work around it, and if it wore out, at least you were shooting all the while.
It's a little different from 'OK, I pay for this to be a full-frame video camera for no apparent reason, or I get to deal with fewer controls and actually-inferior images and such.'
It's kind of like with bicycles, you're a courier, you don't need the twelve hundred dollar Cannondale, you replace certain parts on a beater, remove the unnecessary, and you *go faster.* You don't go halfway to the race bike via stuff made complicated with a lot of unnecessary 'features' that have a way of demanding compromises from where it counts or that might go wrong or get in the way.
Since things have gone digital, (and to a lesser extent with AF and plastic and computers, but at least everyone had the same 'sensor,' still,) you can't really do that. The cheaper stuff actually doesn't work as well. Doesn't last as long, and actually gets in the way of the process *more.*
There was always a notion that you could get something pretty solid and basic and get the job done. When you bought a more expensive camera, it was often to have *fewer* bells and whistles, (Auto exposure used to be basically just a thing that 'turned the dials for you' without any real calculation involved) just better construction, quality control, a nicer finder, things that take precision manufacture like interchangeable finders, a faster flash synch if you like that sort of thing, and stuff like that.
Obviously, things that are mostly just about software are cheaper than adding mechanical parts and all, but.
Certainly, if Pentax came out with a camera model that really focused on keeping it simple, Stripped down, maybe, but able to perform where it counts, they could once again be making the top student and hobbyist camera out there. However-many point AF? *toss.* One. Superlative one. Eight frames per second? *toss.* Gimme two and a half. That happen *right* when I blip the shutter release.
Good glass and precision mechanicals have *always* cost money, but hey, most of the money in, say, selling trucks, is in the options. People like options. Maybe you want your duallie with the heated seats and the big exhaust pipes and nav system, but if you make one of those, you can also make a farm truck with the rubber floor mats and the pie-plate hubcaps that's just as solid and will get a job done.
As for teaching, I'd sooner be teaching film old-school. Kids taking classes, even getting 'degrees in photography' are working against people expecting results instantly, and trying to do it on occasional spurts of student loans and parental largesse or lucky breaks.
With all this talk about models and features, and most especially performance where it counts, sure, Pentax needs to stay competitive, but apart from common-sense things other brands have forgotten, like sticking a couple O-rings between your *computer* and the *outside world it's meant to interact with,*
It's really about the glass.
They keep making *old school-solid glass* like the 'Limiteds' and give reasonable assurance there'll be something to stick on behind em, they'll make what money there is to make from 'serious' photographers.
Also, solid, and affordable glass. for those not so well-endowed or profit-making,
Then they're there.
They're in a position to make, not just 'Ignorant consumer' cameras, but 'Serious beginner' cameras. (which incidentally tend to make great backups for anyone. ) No one, as it stands, is actually doing this right now.
This is how 'Old Pentax' got to be a name everyone knew, and tended to respect, even if they chose other devices to play papparazza with.