Originally posted by benjikan By fixed sensor I mean one that can not be upgraded in the future, like you can do on a 'Blad etc. A removable back or module design. Many Fashion Advertising photographers including myself use MF when required. It really depends on final usage and the demands of the client. For most magazine stuff I use the Pentax.
Hi Ben,
Before Hoya took over the controls of Pentax and promptly put the 645D on the back burner, my understanding from my long term contacts at Pentax was that the 645D was always going to be designed to have and upgrade pathway with respect to the sensor. The swap out of sensors (upgrades) would be accomplished by sending the system into Pentax and having said modification done by them.
Now, time has passed and those contacts certainly are much fewer in numbers and Hoya has forced what remains to tighten their lips.
So, I ask you, as your ex-communication with Pentax is far more recent than my contact breakdown, was I miss informed about this modality of an upgrade path?
I do recall that the first sensor to originally be destined for use was, I believe, 18 MP. I also vaguely recall Pentax publically saying that upgrades would be available.
While my K20D's are wonderful cameras, I can easily see purchasing this camera as I am going to assume that the fluency of image quality with all my current 645 FA's (I have all but the 35mm... only have the A version of that lens) would be fairly seamless under all but the most trying shooting situations. It might even get me back into doing some types of work I long ago abandoned because of some of the hassels of MF film.
Ergonomically, I don't see this camera being a problem handling under any conditions. While not a lighweight, I don't think it much heavier than a fully decked out professional full frame digital 35mm.
Stephen