Added grain? Added? Film!
I mean that in earnest, though, in one way at least: My whole attitude toward doing any artsy digital (It's really to me, supposedly, primarily about absorbing the more immediate-type stuff that can't wait for me to do negs, but best-laid plans and all...) Don't style myself a great artist or anything, but films and sensors are like palettes to me. I think if you have to *add* grain, it says something. (I actually found myself having to do this once while trying to use PSE for an enlarger, to get someone a shot of their weddng where they really thought a bright white backdrop was a good idea: couldn't get it white by 'dodging' without *erasing* the grain from my negative scan, and had to put it *back...* what kind of world is that?
)
People bellyache about characteristics no one will likely ever see... not being optimal out of the box, when the fact is, the thing *I* have trouble adapting to is that with digital, it's all numbers and vapor, anyway.
It's a different medium with different skillsets involved in making the images visible.
It's not actually the 'capture' that's the real problem with me, ....I find I sometimes get dissatisfied with my sharpness cause I can *chimp at fourty times the maginfication of any lupe I ever used in my life.*
If we were back in the 80's, and there were message boards, we would *mostly* be dealing with a lot of people looking for ever-finer and more invisible *grain.*
Always seemed silly to me. As long as the grain looked *good,* just give me some *acutance.* Let's know this is a photograph.
To me, and any artistic pretense, digital's like going from tempera to oils. Stuff *moves around,* ...it's never 'finished,' ...maybe it never even really *dries,* but it's an experience.
I mean, people who bellyache about what's 'pro' ...well, you'd be lucky if anyone wanted a 16x20 of that you did in your *life* ...for any purpose other than viewing from further away, if you were shooting 35mm. "Full frame."
Pro would mean mostly you'd see your stuff in newsprint or wedding albums and wish you could get a job where they gave you a Hassie and a plane ticket. Probably still is, mostly. If you want your images on billboards, I think they still make monorail 4x5 cameras.
For my part, I whine about having to deal with computers, when in fact, I wanted to be in photography cause I saw computers coming and wanted *no* part of that,
...I like to think of my cranky Luddite tendencies as being a *progressive* cranky Luddite, but still .
I think if you're *adding* grain to your photographs and getting results like that, it's possible your camera is sufficient. Or, possibly irrelevant. But we'd rather not think that.