Originally posted by Pål Jensen This is what Bunnell says:
"In other words, I'm talking about the "soul of a camera" and is this something that can be felt and appreciated by the photographer who uses that tool?"
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NED BUNNELL I think what he meant when using the word "tool" is the camera itself, as a whole. Fact is, a photographer can use a camera as a tool, but also lights, backdrops, software, darkroom stuff, etc. and the camera is only one of the many tools a photographer can use.
So I don't think it's about the metering, the OVF, the movie mode or anything... It's probably about the high quality craftsmanship, the reliability, the feeling in yours hands, the quiet shutter, the good response, etc.
Cameras that have a "soul", just like cars, are kind of rare. In cars, a good example is the Mazda Miata.
Didn't had such a powerful engine... Didn't had the best looks... Couldn't compare to a Ferrari... But all the people who have a Miata will tell you how fun it is to drive one, how this inexpensive sports car handles curves and gives you a real feeling that driving is enjoyable (until you get stuck in the 5PM traffic jam, that is - lol).
Prehaps the K-7 is a bit like that... Handles like an old Pentax MX, has the features of a Pentax MZ-S and is quiet as a Leica M7, etc.
One thing is sure... It's time to upgrade my K10D, so the K-7 is my next DSLR. A welcome addition will be the movie mode, a must for me, as I'm into indie movie making.
But other than that, I'll probably appreciate the (all yet to be confirmed) 5 frames per second burst, the 100% coverage and 1.0x magnification viewfinder, the 1/250th flash sync, the 1/8000th shutter speed (when shooting fast primes in bright light), the lighter body, the magensium finish, the possible in-viewfinder liveview, etc.
I'll know on May 21st, 2009.