Originally posted by Art Vandelay II Has everyone seen Olympus's countdown to their upcoming m4/3's camera?
OLYMPUS PEN 50th Anniversary: OLYMPUS PEN EE (1961) | Olympus Imaging Asia
Olympus better not be messing with me. A digital Pen is THE camera I've always wanted. If it looks anything like one of the older Pens with a decent set of lenses available I'll pre order it the day they announce it.
I think serious photogs will continue using K-7's, D300's, D700's, 5D's etc, but I think the entry level SLR market (which is the overwhelming bulk of all DSLR sales) is going to be consumed by EVIL cameras.
I think it'll be tough to sell that, since the Olympus Pens (with the smaller film size) were actually pretty hard to sell to anyone but serious photogs who had the bigger systems already and wanted something teeny-but-serious for when they knew what they didn't need.
But it's just grand someone's making them. If I were rich enough to buy a whole other system and not make it Leica/Voigtlander/Epson, (get with it, Epson,) if Olympus came along and said, "Hey, we're making a new Pen F. Interested?" I'd applaud. Heck, I'd just be glad to see it out there, but I don't see the technophiles' view of reality *really* taking over. A lot of the novelty's wearing off, and I observe that people who *care* about photography are looking to it as a way to get *away* from computers, and interact with something real. (In fact, I'd prognosticate that eventually what we'll see is digital cameras that behave *more* like film where you don't need a powerful home PC and attachments to make it look good and get the output you want.)
I think the point where cameras stop being a device to do photography and communicate with a digital world, and become a mere intrusion of the digital world into the rest of life, well, that's when they stop being 'instruments' and start becoming 'appliances.' Sure, people'll take 'getting and having' images for *granted,* but they won't be photographers.
The very *appeal* of still photography, both artistically and even sentimentally, is *not* trying to make a poorly-stage-managed TV show out of things. When people look at old photographs, whether they're of artistic or technical merit or not, it's more contemplative than that. Folks are going to need things as always, to *stir* memory, not supplant it.
'I serve an important function in this city of amnesia.'