Originally posted by MikePerham Your remark above is, I am sure, made tong in cheek. However, one needs to recognize that in designing a lens, as with most things, there are always trade offs. A lens designed for optimum performance as a portrait lens, is not going to provide optimum performance as a macro lens and vice versa. Yet there are folks who think they can purchase an 18-300 zoom and have it do all things well.
An earlier poster that said "horses for courses" made a point that is well taken. If you chose to compromise, that is fine, just accept the compromises that go with your decision.
Tong in cheek? Sounds painful
Sorry to disagree, but the 50 F1.4 has particularly low contrast at 1.4 and this and resolution do not improve until F4. At F2.8 its not notably sharper than the 50-135 (wide open) and the zoom has more contrast. If indeed it had improved by F2 then I would feel more sympathetic towards the old soldier, but when I am shooting a gig I am quite happy to use the zoom wide open.
The FA77, 43 and 31 are all (much) better in contrast terms. The advantage of F1.4 over F1.8 in this case is zero. The 55 on the other hand (at least the one I tried) was quite usable at F1.4 in the centre and very good at F2.
Now I quite agree with those that say I never use a lens wide open for a portrait. I dont. However others do, and thats up to them. But I dont think the 50 F1.4 was ever designed as a portrait lens, so one may wonder what exactly it was designed for if not speed and low light shooting?
Fact is the newer lens benefits from optics designed on a modern computer, not on a slide rule in 1983, and it shows.
And what any of this has to do with macro shooting, where you normally have to shoot well stopped down to get any DOF at all, I dont know.