Originally posted by RMabo Well, I do expect a sort of mix between k10D and K100D to be released.
Much of the electronics from the K10D, but with k100D's auto picture modes and other typical entry-level features. No weather-sealing. Hopefully pentaprism viewfinder and retained HyperProgram with two control dials. (but I fear it might be just one...).
As for lenses, I don't think that Pentax will work with Tamron again now that Tamron works so close with Sony, and Pentax already has a partner in crime... or in lens design: Tokina. I wonder what happened with that 17-135 design they were talking about last year. Perhaps re-designed together with Pentax? that would be something!
Personally, I want a DA 35 f/1.4 SDM and a DA 135 f/2.8 SDM ED. A DA Star 90 f/1.4 or f/2 SDM would perhaps be interresting to many. I believe a DA 16 f/2.8 would be welcomed by many who got the kit lens and want a good fast wideangle option, but can't afford the DA Star 16-50 f/2.8. Oh, and perhaps a a DA Star 16 f/2.to replace the FA Star 24 f/2.
Take care
R
At least we agree on the body scenario!
I think that Pentax could easily come up with a 18-250. Although Tamron has some tie in with Sony (reputed to be that Sony has a 20% shareholding), they are able (and do) work with other makers. I actually believe that the Tamron teleconverters are made in the same place as the Kenko ones, as they look very similar (I have also seen a Tokina one that looked identical). I think that the small lens companies in Japan work closely together on common design solutions, Pentax have worked together with Cosina and Tamron in the past. the only one that seems to stay out of any co-operation is Sigma.
I wondered about the 17-135, I guessed that the DA 17-70 on the roadmap was probably derived from that concept, but maybe things have moved on again and two lenses have evolved from the initial concept, and that Pentax and Tokina may share a 18-250.
Who knows? But it's fun to speculate a bit!
While the prime lenses do seem to be interesting to many, I really am more interested in the tele zooms (60-250 and 55-300).
Even when I use primes, I don't share the frantic desire for all the ultra fast stuff, f2.0 is plenty fast enough for me as most of the lenses I've ever tried that are faster than f1.7 seem to be compromised and never match the quality of a cheaper less fast lens at around f2.8 to f5.6. The cost, size, and weight also becomes unrealistic. They have great "bragging" rights, but not for me.
Maybe the DA 55/1.4 will be affordable like the FA 50 f1.4, but somehow I expect it will be quite expensive, I also expect the DA 35 SDM will be an f2.0 design based on the existing FA 35.
It's possible that, in time, we may see a DA* 85 or 90 at between f1.4 to f2.0 and also a DA* 135 f2.0 to f2.8, but I expect that the DA* 50-135 will cover a lot of those areas. From what I've seen so far (I have seen some sample shots) it's going to surprise and please many people!
I agree that a fast wide angle would be great for interior work (but I think the DA 14 f2.8 is intended for that), but so would a replacement for the FA*24 at f2.0, it's a great focal length for general work and even as an FA* lens it wasn't that expensive new. A 16mm f2.0 would be a big lump of glass, expensive as well! I actually think there is more chance of a DA 24 or DA 28 f2.0 than any other WA in the next release road map.
I did use my FA* 24 a lot before I got my DA 16-45, but it has less use now, as indeed does my FA 35, as the performance of the DA 16-45 at 24 and 35mm for most general work, even at f4.0, is as good, if not better. It will be interesting to see how well the DA*16-50 f2.8 is finally regarded when the excitement has died down!
My main prime usage is with my FA 50 macro and FA*300, as they have very significant performance advantages over any zooms. I think the DA* 200 and DA* 300 lenses, if reasonably priced (around $1000) will be very popular.