Originally posted by fuent104 Thanks. I am looking forward to it.
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I think this is a worthwhile thing to try, good suggestion. I will take the comparison shots tomorrow, Sat or Sunday when I have time and post them here.
Meantime, I can show some shots that
get at what I'm talking about, but can't be definitive because they're not taken in the exact the same conditions.... But hopefully they serve some level of illustration.
Both these shots are at f/2.8, both with the $109
50 1.8D, both ISO 250, one is 1/320s and one is 1/250s, both have the same workflow & sharpening (25, radius 1) Which do you think was taken with the D90, and which with the D700?
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Here's another comparison with the
85 1.8D, both at f/1.8, one 1/400s ISO 200, the other 1/200s ISO 450. Whis is which?
Here's another example, with the
85 f/1.8D - one is f/4, one is f/1.8 (!), same processing. Which is D700?
Again, these are not meant to be definitive because they are not test shots of the same subject at the exact same time, etc, but they are
typical of what I see day to day shooting the same lenses on both formats. The tonal gradients (look closely at the purple 'B',) the contrast/sharpness, the smoothness just brings more 'wow' to me. When I pixel-peep, I see that there's no problem with acuity on the D90 shots, they are very sharp, it's just that they lack... something. I honestly thought both the 50 1.8D and 85 1.8D were mediocre lenses until I tried them on FF.
And these are just three data points - I see it all the time, which is why it's hit home for me that
I really want to shoot the FA Limiteds on FF.
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