Originally posted by Rondec I think a lot of the differences people are seeing between formats are more attributable to the glass than to the format itself. People who buy expensive cameras tend to be more likely to invest in expensive glass -- and be able to use it.
For me, with a stable of k mount glass, a D800 does me as much good as a 645D would, albeit cheaper. Even an A7 only gets me a bunch of manual focus lenses on a full frame camera with an EVF (I'm not a big fan of EVFs and a nice feature of full frame is a bigger OVF). Unless I wanted to sell my glass, I couldn't make my switch and in my mind I don't see a big reason to jump to Nikon at this point.
If Pentax comes out with a 645D Mk II, it will be better with regard to sensor resolution, if nothing else. But it is still a pipe dream to ever consider buying something like that.
I think to make the jump you need to be very selective when it comes to lenses. It's a big cost and what owning Pentax has taught me is that out of the dozen or so I've stupidly gone and bought I only really use three and sometimes the 100 Macro and Siggy 8-16 (but very rarely these days).
There's options which suit me and more options are coming on the market at reasonable prices. I'm thinking Sigma Art primes here.
Should I go with a D800e I only want four lenses, perhaps even
just two of this lot . . .
Sigma 35/1.4 Art
Sigma 50/1.4 Art (if near Zeiss Otus good)
Nikkor 50/1.2 Ai-S
Nikkor 85/1.4G
Nikkor 135/2DC
When I started out in this thing I found I wanted really wide angle and wanted to get everything in the frame. It looked awful. Simply terrible. Gradually, as I've aged in this, I've found myself using normal or longer focal lengths and being far more artistic in composition.
I also truly understand bokeh now. And it's smooth bokeh combined with sharp focus that makes a photo nice. Generally. Then you can easily work on the rest in PP, colours, exposure etc. Well for me anyway.
Last edited by Parry; 01-18-2014 at 10:01 AM.