Originally posted by mee Right.. ehh I think you're thinking too hard about this.
The man isn't stopping you from buying what you want. But you seem to feel the need to get upset with him because his points (which I find all valid, btw, even if I don't agree with all of them) seem to have hit a nerve with you. This is one guy's opinion.. yet he is informed and working in the field commercially. I've read your post on the other thread with your points about his points and it seems your mind is already made up you want a FF sensor in your camera. That is fine. But anyone who wants something can find a way to argue their desired desire and devalue the other person's claim. The guy is a professional.. it is clear.. I've yet to meet one that is concerned with the gear as much as non professionals are.
Enthusiasts argue and debate on forums.. professionals use what they have that fits the need of the project to get the job done. We're enthusiasts.
How many A list landscape or wedding photographers sit on the boards and argue they require the FF body or they can't get the job done? Don't think many. However one, Jerry Ghionis, submitted images taken with an iPhone to WPPI and actually ranked highly! Of course hes not going to give up his D4S and fancy lenses for an iPhone. But he, too, was making the same point as the guy in the video you vehemently disagree with.. that the technology has come to a level where the person behind the camera matters more than the camera itself.
It isn't as if because he sees it one way, and you another that you won't get what you want.
I'm wary of generalizations about formats which often turn out not to apply in individual cases. The differences between FF and APS-C are very hard to get a grip on, since they are almost always used by propagandists on either side to make whatever point is obsessing them that day. And as for that iPhone user - good luck to him but I suspect the point is self-serving in a not very subtle way. What it says is "I am so absolutely brilliant that I am the one photographer in 10,000 who can make this work. Hire me immediately." The rest of us need all the help we can get. And if the APS-C brand someone is using doesn't make lenses that turn in excellent images at their widest apertures, or which doesn't have lenses with particularly wide apertures to begin with, then the choice is going to be made for you. No names, no pack drill, er hem.
Then there is the small matter of workflow and connectivity. The moment someone has clicked the shutter, the attitude of almost the entire camera industry seems to be "Not our problem, old boy. You wanted a camera. We never said we had any interest in what you propose to do with it." The industry generally seems quite happy to throw the user to the lions, leaving them to struggle with third-party software that often lacks optimal RAW conversion routines, lens profiles and all the rest. Because some camera-makers are too idle or obsessed with lock-in to provide any. And, of course, often no gps or wifi or with a wifi chip costing 20 cents inside a dongle which the camera-maker will happily sell you for hundreds of bucks. Again, in this situation the user needs all the help they can get. Look at the situation with the recently released Nikon D810. An extremely expensive flagship camera with utterly shafted software. Do Nikon care? Apparently not. But how likely is it that, say, Apple would release a flagship laptop with what Apple themselves said was a first Alpha of their software on it?
Going FF in such circumstances is rather like buying an insurance policy. You may never need it and there is certainly a cost involved. However, set against an industry which seems hell-bent on suicide in many regards, because it is having such trouble coming to terms with the modern world, many might be justified in feeling that FF is the best insurance against the vagaries of clients, technology and forked-tongue videos or blogs. Naturally, there are boasts from many that they've never needed such insurance and only suckers take it out. I'm not so sure these are voices to listen to. So often, the speakers turn out to be salesmen or loonies. Were the many hundreds of photographers using high-end Canon FF cameras at the recent World Cup deluded, for example? Would each one of them have saved themselves thousands of bucks by using Fuji equipment instead? I don't think so.