Originally posted by ElJamoquio Notice the quotes around "pro", twice (three times if you count this time). There are almost zero APS-C cameras labeled as "pro" by any manufacturer. It might be precisely zero.
Does anyone here believe that BS?
Back when everyone had their own digital systems, including Canon, Nikon, (Sony) Konica Minolta, Fuji, and we had the first series of *istD cameras, lots of them were marketed as "pro". Those were the top of the line -built like a tank- heavy, bulky and yes: PRO ORIENTED bodies. They were all aps-c (or at least, other smaller format than full frame).
Now that some of them, especially the "
technology and specs rat race competitors" that have their own series of full frame bodies, are now saying that "aps..." is not the what the big shots use. If you want nice professional looking pictures, you have to get the full frame (read: expensive!) gear. With aps you'll get kid's stuff not worth investing for someone like you....
Such argument is seen everyday, from kitchen appliances to cars; from condos to cemetery lots; from vacation plans to insurance companies... you name it!
"Our GE fridge can make you a better cook than what Kenmore offers...",
"Toyota Prius is what the Hollywood stars drive...";
"This is your chance to be buried with the Rockefellers..."; "Come to Dubai... the new playground for the rich and famous" enough said, this marketing strategy is used widespread because it WORKS to push sales. Vendors (marketing departments) rely on the fact that a very high percentage of the potential buyers (targeted market), are also "
victims" of the "
me too" syndrome. They are also victims of one of the biggest lies in marketing, which is the promise that such and such tool, appliance, hotel, airline, etc, will make you a better "
craftman, guest, traveler, etc".
"If you buy this piano... well my friend, this is what Liberace played in Las Vegas everyday, but without all the glitter..."
For me, the need of a ff body relies on using back my SMC A 15/3.5 and my F17-28 fisheye zoom. But as I said on a previous post, I can get away with a 10-20 from Sigma or the 10-24 from Tamron, and of course, the DA 10-17 from Pentax. Either combination is less than $1000.
Don't get me wrong. I do miss the usability (angle coverage) of my wides by using them on an aps-c body (probably including the K3 in the near future), but there are other things I do not want to loose that I got from the aps format, which is a "150" macro Tele @ f2.8 (FA 100/2.8 macro), a "75" macro mid tele (FA50/2.8 macro), a "half hot dog size" "200/2.8" equivalent with internal focusing (FA135/2.8 IF), a potato masher "300" tele @ f2.8 (FA*200/2.8) and a killer portrait lens: a "75" mm from my FA 50/1.4.
I know someone may suggest to carry both cameras (a K3 and whatever FF shows up), but nahhhh... I am loving my new MX-1 more everyday, because its light, it takes no space, poses no threats at security points (as my Tamrac fully loaded!).... you get the picture!