Originally posted by tuco I'm all for a flash when you can. But outdoors and in spontaneous situations there is no easy bounce off a ceiling. The light has to come from the front which I don't like to do this close.
Great spirit you captured in those friends, Tuco!
But for a naturalistic approach with flash, you can make the light come from the side, either off-camera, or on-camera, swivelled and bouncing off a side reflector or even someone wearing a white t-shirt (a Jerry Ghionis suggestion).
The lighting is actually very artificial in this shot - bounced off a sidewall using my hand as a flag to cut the 'front on' component of the flash, but you can see the resulting feel's very different from my previous example, which was from the same afternoon in the same area.:
And this shaping of flash applies to APS-C, FF, or as this pro chooses shooting his gliding instructor indoors - with a Phase One MF!
Even with a huge sensor, the game is to keep the ISO down, introduce contrast, and to shoot at the sharpest apertures for the lens, rather than opening up because there's so little natural light.
Last edited by clackers; 02-19-2015 at 04:37 PM.