Originally posted by rawr Maybe I simply lack imagination, but I can't see many users benefiting from such a 'kitchen sink' array of cropping options for stills. Although square would be interesting for Instagrammers, I guess.
Well, square was a highly valued and much used format with film for decades, so why should this only interest Instagrammers? It's just as valid a format to compose in as it ever was. Less used perhaps ... because few cameras support it? Many people seem to dismiss variable aspect ratio support as some kind of gimmicky feature for amateurs to play with. The 3:2 aspect ratio we all seem to accept as 'normal' has come about fairly arbitrarily as a hangover from 35mm film, which in its time was rarely considered the ideal shape by serious photographers (and indeed not by this one). With lower resolution sensors, some of us have perhaps got into the habit of avoiding cropping because we don't feel like we can afford to lose the resolution, but with a very high resolution sensor, this will give us increased freedom to crop as desired. If this is the case, then why not support this properly by giving us some visual indication of the intended compositional limits? If you compose and frame very carefully, but want to work to a shape governed by the subject rather than the sensor, you need a clear indication of where the frame edges will be. Having to 'imagine' where they might be and cropping later is not a very deliberate or definite way to do things; and if you are working in this way, you know you don't need the pixels outside the intended frame edges, so why waste storage space and editing time dealing with them?
Originally posted by rawr Video ratios like 16:9 make sense, but you wouldn't use them in the OVF since you'd be shooting via the rear LCD or an external monitor.
Why would you necessarily be using the live view when shooting 16:9 stills?