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01-18-2016, 05:20 AM   #31

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Does it have to be a single feature?
For me, it will be ergonomics, smaller size, build quality, SR, (hopefully) compact primes, compatibility with existing lenses, image quality and who knows how many other things.

01-18-2016, 08:07 AM   #32
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QuoteOriginally posted by btnapa Quote
I did get a glimpse of the FF. Get ready to be surprised, mesmerized and then some. Pentax has done it again. Ricoh is serious and with the FF they really mean business. As a future pro, after you see the FF camera you can safely invest in the ENTIRE Pentax system for high end imaging work for a long time to come.
01-18-2016, 01:13 PM   #33
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QuoteOriginally posted by sunshine7913 Quote
Fine art, portrait, studio, macro, landscape, and etc
That's a very broad variety for commercial stuff.. What are your most used lenses on the other systems right now? Maybe a link to your work so we can get an idea of what equipment would suit you best?
01-18-2016, 01:30 PM   #34
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If they have their own version of "Live Bulb" (like on Olympus's OM-D E-M1/E-M5/E-M10), that would be awesome.

01-18-2016, 10:01 PM   #35

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QuoteOriginally posted by Bosch Quote
That's a very broad variety for commercial stuff.
Indeed. Most commercial pros tend to specialise - weddings, portraits, fashion, stock, sports etc. On a skills and equipment basis, it's simply too hard to do everything.

That expensive macro gear won't help you shoot fast action sports, and you would sell/market those images to different clients too ...

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