Back in the good old days, we used to have our Minoxes, and our Half frames, and our 35mm, and our 120 and 220 and our 4x5 and 5x7 and sometimes an 8x10 in the studio. But usually you did the best compromise for your work. In many of the sets of my wildlife images, there were wildlife photographers there with heavy equipment, who didn't get the images I did, because they couldn't easily move. So, in many cases, the choice is the same image every other photographer in the photographers bay is getting, or a much more compelling image taken lying in a snow bank hand held.
SO for me, the combination of IQ, plus the availability of good long glass, and being able to carry shorter lighter long glass for the same result will always make FF a no go for the wildlife portion of my shooting. And I have to be prepared for wildlife at all times. Occurrences are random, and infrequent. So unless I'm shooting in a zoo, FF will never be part of the equation for me. FF is something I might pull out for a landscape or a sunset, if there is a chance of a sellable image. If I'm looking at a scene (which is 99% of the time) which isn;t going to produce a sellable image APS_c or a point and shoot are the ways to go. Most of my images are as much documentary as anything else.
But for me, most of the time it will be K-3 in my hand, probably with the 18-135 or 60-250 on it and K-1 in the camera bag, where my K-01 now sits.
SO we have this whole range of camera gear available from tiny to Phase 1 FF 645, and the question is will you ditch APS-c? It's completely a personal preference question. Personally I prefer to have as many formats as I can afford available, and I have no real preference, just an understanding of where each should be used. It makes no difference to me what anything else thinks, it's not a popularity contest, and the question shouldn't be answered as if it were.
I'm 67 years old waiting for a new hip, and have been told not to carry much weight because it will cause further degeneration, and I don't find a K-3 18-135, 60-250 set up too heavy. Makes me wonder about people who say they need lighter system.. how wrecked do you have to be?
I don't know, maybe some people were just born wrecked.
Just thinking out loud here, nobody have a bird.
Here I've moved around so the sun is behind me, what are all those FF shooters with their big heavy long glass and huge tripods shooting into the sun? Ive moved around to get the sun behind me, they may have the FF cameras, but I know who's getting the better images. And it's not them. Pick your camera for what you do. telling people what camera you have without explaining the parameters involved in the selection doesn't help much.
And by the way, I am lying in a snow bank, with one elbow rested on the ground framing this image. I'm probably the only APS-c, and the only one who left the parking lot where these guys are set up to get good light, yet my images will be higher resolution than many of the FF shooters, as they are shooting lower res, high frame rate cameras. Know what your gear is good for, you won't end up in this kind of comparison. You just grab what you need when you need it. Just my two cents worth.
And yes sometimes I get to see the images of the guys I shoot with, mine are higher res, and better. I really get tired of the FF is always better crowd, and the FF gets you better IQ crowd. What I think, is, if you aren't producing better images than what i'm producing you shouldn't be running off your mouths about your gear. If I see something I think is spectacular I'll ask what you took it with and how, but, I'll ask. I don't need the FF shoved in my face with the "my camera is better" attitude. Maybe you should be looking at what I'm shooting and how. Just maybe the guy with the FF isn't the guy who knows what he's doing.
I don't need status, I need great images.
Last edited by normhead; 02-20-2016 at 08:08 AM.