Originally posted by stevebrot That is a good question. Long exposures of moving water is problematic with the K-3II. The examples I have seen have significant artifact. It will be interesting to see if the motion detection feature of the K-1 is able to mitigate such that rocks, moss and whatnot are rendered with enhanced detail with the blurred water being masked. If so, that would be super cool
Steve
If you wanna see PS, there are samples of the K-3II shots linked here.
I guess most people posting here aren't K-3II users and so don't have experience with PS, but as you can see from the thread I linked, it's finicky. Small wonder Ricoh serves up a studio shot. And remember that at as far as we know now whatever "motion compensation" there is is done in camera. DCU has no such function now, and is in far rather crippled when it comes to processing PS images. With dcraw you can visualize the amount of movement, and even air currents can produce it, as on a long shot in warm air. And unlike regular images, you can't make use of PS "blur" artifacts, because they aren't blur. They are a psychedelic mix of color and grid effects.
How well the camera can mask movement in JPEG production in camera is an open question, since a decision has to be made about the threshold. I'd prefer a post production solution, so that I could continue to use RAW. With an option to do a more conventional blur of the movement artifacts with a tool. One can get a lot of this done with masking and tools in Photoshop, but it's an effort.
Having said that, with very very still conditions and the proper set up one can get very detailed shots. Whether it's worth it, I dunno. I got some artifacts in the early AM with a longish exposure just due to sun movement, accentuated in a highlight on an object. It would have been totally acceptable in a regular shot. Ditto with artifacts caused by misting rain in low light even with no wind.
But hey, I had a friend who got great landscapes with his view camera and long exposures, so it's gonna be a great tool with a lot of planning and a willingness to accept possible limitations. I'm not trying to be negative, but I think some people who haven't worked with PS may have some unrealistic expectations.
BTW, here's what artifacts look like versus a regular RAW: