Originally posted by UncleVanya Interesting. I don't find that true for me moving between m43 and APSC. I wonder if our experiences are that different or if you are perhaps optimizing the native formats more than I am.
I think it may have something to do with going down from 645 to FF and also from 4:3 to 3:2. The thing that hit me hardest was 2 fold, but related: my 645 wides seemed so much wider with the extra vertical dimension---so much so that my use of wides dropped, especially outdoors and/or in my personal work. Then, I found that I was shooting much more at a normal/normal-ish FL than ever before, and that it seemed plenty wide for a lot of things. The 55 is basically on the camera by default, and I use it all the time. Now, my 645 wides are mainly used indoors within architectural settings (museums) for documentary work.
When I drop back down to FF, I then tend to revert to shooting wider....This did not happen to me when I moved up from Oly 4/3 to FF.
Not sure I am optimizing more than you are, but it has been a pronounced change for me, sort of startling. I was never much of a normal shooter long ago, except in 4x5. I remember something similar happening when I flirted with 4x5, but I had chalked that up to the difficulty shooting really wide in that format. Now, not so sure.
Underlining this is my disappointment that the 645 45 is the weakest of the primes. That translates roughly to a 35FL in FF---an FL that appealed so little to me back in the day that I didn't even have one. Now, I have to use the 45-85 or the 28-45 to get it---what would be a darn useful prime FL for me in 645.