Hi Michael,
thanks for sharing your thoughts.
Originally posted by MJSfoto1956 As an aside, I am really only interested in what final PRINTS look like. I'm not a big fan of pixel peeping. It is for this reason that I decided to scale both images to actual print resolutions. While technically an "apples to oranges" comparison, if a system can product great 20"x30 prints, then I could care less if it is FX, DX, or whatever.
Scaling to the same print size is not an "apples to oranges" comparison at all. It is the most fair comparison you can do.
The D800 with its higher number of MP will benefit, but deservedly so. The D800 will also have more potential to printer bigger, however, given a certain print size such as 20x30 then it is exactly the right thing to do to scale images from both cameras to that size (or a common resolution, such as 12MP).
Originally posted by Adam It could also be thanks to the shorter focal length perhaps?
I could not view (and hence not examine) the images, but 250mm on APS-C is equivalent to 375mm on FF, so potentially any difference should be negligible.
Originally posted by MJSfoto1956 So in theory, those would be representative of how these cameras/lenses "see" the world.
When comparing JPGs out of camera, you are mainly comparing the JPG engines.
Different manufacturers use different tone curves and colour profiles (often hues are deliberately changed to yield more pleasing blues for the sky or greens for foliage).
So I disagree that a JPG comparison tells you how the camera/lens "sees" the world. It rather tells you the RAW->JPG conversion philosophy of the manufacturer.
If you really wanted to obtain a neutral view on the camera/lens as such, you would have to use a neutral converter (such as dcraw) with neutral settings. However, I'm with you that it does not really matter where you start from, only whether you can get to where you want to be with post processing.