Originally posted by kenyee I'd argue that most DSLRs are not for noobs who want this...they're better off w/ camcorders...or they'll most likely use their smartphones
Yes, this is all about marketing. What do my customers want me to do on that new camera ?
Those brands that know their customers want more ... have to find ways ... But with Pentax up to now
we only have a few idealists who want to reach stars with a Pentax - and do low budget broadcasting or art - maybe.
Originally posted by Class A You cannot use him as an example to give credence to the quality of a tool because by his own account he had been using inadequate equipment (Pentax cameras that cannot focus) for over five years without noticing problems or switching to a better tool. He needed a retoucher to point out to him that his images are flawed. Only recently he switched to Nikon and now gets sharp images.
That's a funny story.
Just imagine that one is true !
Btw.: 24 fps ...
To me this is still a mystery and a believe - nothing (much) more.
Up to now I only understand that because you may add video to a movie, then you need those 24 fps for synchronicity
But in terms of quality 25p must be just 1/24 times better than 24p - nothing else - so why throw any interests on 24fps ?
I guess the industry only developped higher bitrates for 24p just to please those who think 24fps might be a great tool,
and those fans do believe it looks more like film ... so the industry followed just to catch customers who dream on that ?
But in fact 24 is just one frame less than 25 and makes almost no difference at all ... Oh, I come from a 25 Hertz-Country !
This, my comment about my 25 Hertz- and 25 fps-country created the idea now, that those 24fps fans want the stuttering
effect of a movie because with their ususal 30 fps they are far more away from it ? For those used to 25 fps here 24 fps
is no big deal and difference. Those 6 pictures less may of course create a bigger DOF and need less lightening, OK.
Please correct me if I'm wrong here.