Originally posted by gebco Thanks Ron, I appreciate the work you put into your explanations and posts. I'm looking at upgrading from my K-x to the K-3, mostly for the added control and improved DR and AF. I keep reading how the K-3 hi ISO output isn't that great. Hi ISO is something I really appreciate from my K-x as I do a lot of dance theatre photography and frequently get into the ISO 6400 range. The K-x is relatively good already and cleaning it up in LR3 isn't too difficult.
The attached image is typical of my shooting conditions: lots of DR, white balance all over the place, quick AF needed, and hi ISO. This one was shot at 2.8, 1/500 and ISO 6400.
So my question, even though the files (RAW) may come out noisier than you like, do they clean up fairly easily? I keep wondering if I should look at the K-5ii, but I really want that improved AF on the K-3.
Well I think that K-5 II(s) and K-3 can serve you on that job. That dancescene doesn't look to difficult to me, could do that with the K-01 (and have done dance with the K-01 and FA31mm/FA*85mm).
Cleaning up is very easy, but I guess that LR5 would serve you (and me) better on that task.
Originally posted by aaalegre 85 mm nice and sharp
Oh yes...
Originally posted by kenyee Just an FYI in case you don't know it...that's probably because these venues use sodium vapor lamps that rotate the light frequencies. When you run higher shutter speeds shooting sports, you'll catch the lights at different color temps. I have a friend who shoots school auditorium events w/ a D800 and he has the same issues. You can't do much about it unfortunately
The K-01 shots look slightly blown out in comparison to the K-3's but both did a good job.
Thanks for the information, didn't know that technical part, but wasn't surprised by the misfunctioning WB. Well I forgot to underexpose a little on the K-01, since the scene is ful off hi-light and low-light. Could do it a little better in LightRoom, but it's just a snapshot, where others use their smartphone. The red channel is difficult in scenes like this.