Originally posted by johnmflores The fact that you bought a Fuji system is a nice and all but it doesn't support your assertion that Fuji makes pro gear and Pentax doesn't. So yes, still a weak argument.
Please point me to where I said specifically that
"Pentax doesn't make pro gear..."
When you do I will freely admit it's a weak argument.
Thank you.
---------- Post added 01-24-16 at 07:17 PM ----------
Originally posted by Imp I think you missed the word "complete". The way I saw it, the only thing Ed is saying is that Pentax has a solid APS-C lineup... but they failed to go the extra step to attract Professionals to the pentax aps-c system as a viable alternative...
Please don't take this as an absolute, i'm not saying it isn't a viable alternative, etc. etc... just try to understand that point.
Someone who actually understands English. Amazing.
I always find it interesting how I say one thing and then people attach all their insecurities onto something
I NEVER SAID, and throw it back at me.
Pentax has a solid APS-C lineup... but they failed to go the extra step to attract Professionals to the pentax aps-c system as a viable alternative...
Does that work? All I could add is:
Instead we got a FF that won't attract any professional because they already have Canon, Nikon or Sony FF's already.
Imp, I'm going to hire you as an interpreter!
---------- Post added 01-24-16 at 07:26 PM ----------
Originally posted by rawr Those f1.2 and f2.0 images look rather flat. No crisp 'snap' evident, thin contrast and colour. Shooting wide-open, in low-light, and with the Fuji sensor, is not working miracles.
Perhaps related - what low-light EV is the auto-focus of the X-T1 capable of handling? I have never been able to find any data on that. K-3/D7200/D750/6D etc do -3EV AF, but Fuji never appear to publish info on the low-light performance specs of their AF (and metering). Maybe the softness in the images is partly a Fuji low-light AF and metering issue.
Great, a web image critic...
The Bride was THRILLED with the 12x12 Album, in which the prints were: punchy and crisp with tons of snap, loads of micro-contrast and beautiful rich color. All from the out of camera jpegs. What's your monitor? What did you calibrate it with? What's your Gamma set to?
I could blow any of those images up to 20x30 and they would make beautiful prints. Fuji doesn't need to publish any low light performance specs. If you got a K-3, just add another stop of performance, i.e. if your happy with your K3 at iso 3200, you would get the same quality or better results with the X-T1 at iso 6400. And that's based upon my real world experience. I shoot available light at weddings with auto iso and the k3 set to 3200 top iso and 6400 on the X-T1. But if you have real world experience shooting both systems and have a different opinion, I would love to hear about it.
---------- Post added 01-24-16 at 07:40 PM ----------
Originally posted by Imp sorry, because I quoted it from your quote of ed's statement
@Ed, unless I missed something, it seems that you're disregarding the FA limiteds? You also put down the 35/2 because its Full Frame. Why does it have to be an aps-c specific lens? Because the focal lengths aren't optimal? I'm curious.
If you include the FA limiteds, a 31 f/1.8 can replace the 35 f/1.4. The 43 and 77 don't have direct comparisons... I guess they're a little funny on aps-c, but with the 77/1.8 you've got a fast portrait lens FASTER than the Fuji equivalent, the 90 f/2...
Then, as you said, the 55 f/1.4 would replace the 56 f/1.4
But no wide angle solution, as you said before. And granted, the Pentax "equivalent" to what you want in Fuji is sort of patched together. FA 31, 77, DA55...
Why not two cameras - Fuji with your choice of the 16/23, pentax with your choice of the 31/55/77
Well, I have tried and have spent A LOT of time thinking about it... but it is a patch work mess no matter what and at the end of the exercise I just bought the 4 Fuji lenses on sale and they all work the same, etc. etc.
BUT, as I love to talk SOS, (System Optimization Syndrome,) The problem with the FA limited, although they are beautiful Pro glass jewels, they are FF lenses and are bigger and heavier then what their DA counterparts would be if they made them. Same holds true for the FA 35mm, (though it is small and light for a FF lens.) I think a DA 35mm 1.4 would be about the same size as the FA 35 F2, so not optimized. (The Fuji 35mm F2.0 is like shooting a Leica Summicron F2, it's that small, but mirrorless skews that as well... so not a fair comparison.) So my APS-c specific lens requirement is arbitrary but based upon optimizing size and weight for the APS-c camera. Nikon and Canon do not do this. If I'm going to shoot a small compact K-3 APS-c camera and then stick FF lenses on why not then just shoot a 7D2 or D500 and then I could have any FF lens I could wish for, right?
The DA* 55 1.4 is perfect just the way it is, 1 out of the holy 3 of traditional fast primes is there already.
The Sigma 30mm 1.4 is definitely an option. That would cover the fast Normal. So 2 out of 3. The Sigma's not a Pentax, but it's also not that much of a compromise either.
Now for the real missing link: the FF fast 35mm equivalent. Hmmm... As John says, Samyang makes some really interesting lenses here, but I just don't want to sacrifice the AF. But that's just me. If Fuji didn't exist, I would probably be doing just that, though.
And that of course leads to: Fuji for fast primes and Pentax with fast zooms. At least for this summer and we will see where we're at. I might get the Sigma 30mm and see if the 15 and 21 LTD will do the trick for the wide. That actually is really appealing if it works.
Of course
Pentax for ALL my Pro Landscape work...
---------- Post added 01-24-16 at 07:50 PM ----------
Originally posted by clackers Qwntm, I have the Samyang 24mm f1.4, Sigma 35mm f1.4 Art, DA50mm f1.8, FA77mm f1.8 and Samyang 85mm f1.4.
They do everything I want them to.
The Samyangs are MF but I'm sure present no problem to someone of your skills.
Yes, the Samyang's are GREAT lenses, no doubt.
I think I detect a bit of sarcasm in your comment, and if I have offended you, I apologize. But maybe not...
Although I spent MANY years shooting manual focus lenses with film medium format cameras, and yes I do have the "skills" to do so, it's not something I'd actually like to do at 25 weddings this summer, and particularly if it's a penalty for shooting Pentax. I could very easily shoot the SDM 16-50mm, and have AF. But that's about a 4.5 pound camera rig with flash and bracket. If I had a Pentax (or someone's) AF 21-23mm for Pentax, I could shoot a 2.5 pound rig instead and switch lenses a few times. MUCH more appealing.