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12-05-2014, 01:18 AM - 1 Like   #31
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m42 SMC 55/1.8



As for making fanboys feel insecure, the classics lines work the best:-
"Those FF cameras would be great with some Zeiss lenses" and " FF is nice, but I think I'll save for a 645Z/MF"

12-05-2014, 09:46 AM   #32
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Here's some of my cheapies. Keep in mind my camera is a 2008 K20D, also a cheapie.

Auto Sears 50mm 1.7, 28 dollars + shipping on Ebay. I could have gotten it for even less had I been more patient, but this one looked like it had never been used.


SMC Pentax-K 55mm f2, 23 dollars for a Bargain condition one at KEH. I can't find anything wrong with it other than it looks like it's been used before. This is wide open:


Ricoh Rikenon XR 50mm 1.4, 35 dollars shipped because it looks very used, and has a bent filter ring (still useable). This is at f2:


SMC Pentax-M 50 1.7. This lens needs no introduction. I paid 30 dollars for mine here at the forum because it looks pretty rough and the barrel has writings carved on. WIth reverse ring:


Auto Sears 50mm f2. I didn't need this but couldn't pass on it for 10 dollars. My surprise lens - sometimes I compare my 50s when I'm bored and this one always takes the sharpest pictures. Colors are pretty neutral, not as nice as SMC but very natural looking.


Now let's move on to other FLs... this is my SMC-A 135mm 2.8. My most valuable lens other than the DA 35 2.4 which was really a splurge for me! But I got it as part of a film camera deal so it cost me next to nothing. This is wide open at 2.8:


My Tokina 19-35 is my 3rd most valuable lens. Worth about 100 bucks, I paid 90 for it in EX+ condition from KEH during one of their 10% off sales.


My Ricoh Rikenon XR 28mm 2.8 cost me 30 dollars shipped in like new condition. A few weeks ago I dropped it from pretty high on asphalt and bent the filter ring and the focus ring. I was able to unbend both to where I can use it again, but it looks so ugly now on the positive side, the optics were completely unaffected, still sharp edge to edge. Try that with a modern plastic lens! This is wide open at MFD shooting some pebbles - it focuses close enough to be pretty much fun.


I have no favorites but I baby this one - my SMC-A 70-210mm f4 Macro. I bought it along with the 135 2.8 and a couple others with a film camera, so it cost me almost nothing. They can be had for 50-80 dollars all the time.


So that's what, a bit over a couple hundred bucks in lenses... and every single one of them works on full frame so I can use (and have used some of) them on my film camera. Solid build, great IQ, the weakest link is still me.
12-05-2014, 10:56 AM   #33
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I'm convinced these fully-manual lenses yield such good images for two reasons - the glass is good, and we photographers have to take our time to get focus and exposure right, just like in film days. We can't use some of our shortcuts available with fully automatic lenses.

There's nothing like the feel of the old glass-and-brass lenses, that's for sure.
12-05-2014, 12:46 PM   #34
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QuoteOriginally posted by TER-OR Quote
I'm convinced these fully-manual lenses yield such good images for two reasons - the glass is good, and we photographers have to take our time to get focus and exposure right, just like in film days. We can't use some of our shortcuts available with fully automatic lenses.

There's nothing like the feel of the old glass-and-brass lenses, that's for sure.
I think a lot of it has to do with showing people their "best of" collection.

12-05-2014, 12:57 PM   #35
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QuoteOriginally posted by MadMathMind Quote
I think a lot of it has to do with showing people their "best of" collection.
Certainly that is the case - selection bias is what sharing is all about.
12-05-2014, 01:21 PM   #36
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QuoteOriginally posted by MadMathMind Quote
I think a lot of it has to do with showing people their "best of" collection.
Well you want to have a glimpse of what the lens is capable of. But in most cases (including my pictures), what you end up with is seeing what one person is capable of, using that lens.

Thank God when examples are requested, people don't just respond with brick shots all the time anymore, like they did a few years ago
12-05-2014, 01:55 PM   #37
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QuoteOriginally posted by MadMathMind Quote
Canon changed their mount in 1987. You can't put anything older than that on a modern camera.
i think that canon made a fd/fdn to ef mount adapter, but it's rare... and there are aftermarket adapters that do that, but the quality is degraded because they all have glass in the adapter.

but the fd/fdn lenses will mount on sony e-mount, samsung nx(?) mount, m4/3 cameras, etc., with cheap adapters that don't have any glass in 'em.

the quality is better than the lens ever looked back in the day.

12-05-2014, 02:45 PM   #38
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These are with a Sears 135mm f/2.8 with macro that I paid $40 for. Good value!

This first one shows some purple fringing on her hat but it was easy to correct in LR. I just haven't uploaded the corrected version because it would break links to this one.




This one is a panorama of 4 vertically oriented images.


---------- Post added 12-05-14 at 02:55 PM ----------

Oh, and I got a pretty good one earlier this week with a pretty cheap modern lens, a Rokinon 8mm fisheye I paid $240 for new.

Last edited by mattb123; 12-05-2014 at 02:56 PM.
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