Originally posted by boriscleto Pop Photo had a big influence before the Internet. Some of their opinions lasted into the Internet age. Look at reviews of the A 135/2.8 before DSLRs came along...
Well... that lens is a very unusual lens for Pentax. The flare resistance is worse than any lens I own, including non-Pentax lenses. And wide open it's useless in high contrast situations. Very un-Pentax. In those situations, it's an f4 lens (though the flares happen at any aperture). I keep mine as an indoors lens only, these days... out in the sun, it gets outperformed by my A 70-210 f4 in every way (the zoom has a bit more contrast, and just as sharp at 135 from f4 on).
I bet this tendency to flare made a lot of people mad in the film days, because it happens even when you don't see it at all in the viewfinder.
Originally posted by Zephos Just did that, and I liked a lot of the images! I'm actually getting excited to use the lens. I'm starting to see it as a challenge to make good images despite its limitations, and even find ways to use those limitations to my advantage. A video I watched had a lady talking about a photographer who made lots of money selling out of focus images... I mean nothing was in focus. This makes me believe that every lens has a purpose and something unique to offer, you just have to find it.
Here's something that will make you feel better. If you have 50 or so bucks laying around, look for one of these:
- SMC Pentax-M 50mm 1.7
- SMC Pentax 55mm f1.8 or f2 (I actually prefer the f2 - sharp and contrasty wide open, and otherwise the exact same lens)
These lenses are sharp wide open and and in the case of the 50mm 1.7, put just one click down (which will put it at about f2.3 by my shutter speed calculations - it's unmarked so not sure). Just one click down and it's as contrasty as it will get, the images are sharp, the DOF is shallow and the bokeh is beautiful. You will love this lens. I promise you! Same with the 55mm, it's a wonderful objects and portraits lens. The f2 has an advantage - to me - that it's stopped down just a tad compared to the f1.8, which gives it perfect contrast and sharpness. I love mine, paid 24 bucks for it last year from a reputed store that gives a 6-month warranty!
If you have about 60 or so, look for the SMC Pentax-M 28mm f2.8. It's a lens that some people don't care much for because there's a better (and much more expensive) 28mm f2 out there, and because some people like the colors and sharpness of the 28mm f3.5 better (it's a bit more expensive though). Either one will be joyful to use, but I find 2.8 is more useful, especially indoors. Also, put it on your camera and go out for a walk - it's the perfect walk around camera and at f8 it will give you results that will bring a smile to your face every time.
Another 50 or 60 bucks can buy you a SMC Pentax-A 70-210mm f4 Macro. Not really a macro, but it focuses close (1:4) which makes it perfect for flowers. The pictures that come out of my copy always amaze me, especially because it has probably the best OOF (bokeh) of any lens I own - and I own a few primes. I can take a picture of grass or my mailbox or the bird house and the lens makes it look artsy. Imagine if I actually had talent for photography, the pictures I could be taking with it
- and as a bonus, it works well for portraits in the 70-150mm range.
There's many other lenses you can buy for little money that will give you joy. I don't own the SMC-M 75-150mm f4 but I'd love to have it some day - it can take some breathtaking landscapes and nature pictures.
Also, look for Sears lenses from the 70s and 80s. Sears knew what they were doing and I don't think I've seen a bad Sears lens. They were either Chinon or Rikenon (Ricoh) made, and are usually cheaper than those brands. My Sears 50mm 1.7 is a perfect street lens if you don't want to get too close to your subjects, and the 50mm f2 that I bought for 10 dollars is probably the sharpest lens I own.
And I won't even get into the M42 world, I'm avoiding that downward spiral
There's lots to explore in Pentax land.