Pentaxian Join Date: Jun 2007 Location: Near Algonquin Park |
The only people who've actually set up measured tests and compared comparable models actually say Pentax AF is pretty good. But in measured comparisons done in a lab, Pentax does well is speed of focus lock and not so well in tracking. But the only actual numbers I've seen say they are in the ball park. Action shooters will experience times when the small differences can make huge differences, in keeper rate, because the Pentax is just beyond it's capability and the competitor is just within it's capability.
So what I'd say would be, if you want better than Pentax AF be prepared to pay for it, just as with any other camera system. The entry level systems do not have the same capabilities as the high end systems.
But from my perspective speed of AF is a small part of the picture. Techniques like prefocusing can get you the absolute best images with a K-1. here's the way I look at it,
I can pay for great AF with 1Dx or 5D Fx
for the Nikon 5Dx 8,499 CAD I get an amazing AF system and 12 FPS, -great pro gear, 20 MP
for the Canon 1DX MkII or a 7,999 CAD , 20.2 MP
So lets say I take a $2499 CAD K-1 and $2500 150-450 at 1/3 the price and I'm in the same photographers pit.
The way I see it, what they have given to get that superior AF and Frame rate is resolution. As simply stated as possible if they are sitting there firing away with their expensive gear worth more than 10k, easily, and I'm sitting there pre-focussing with my K-1, if I can accept the challenge, fight through the "adversity" and nail a couple of images, my resolution will mean I end up with the best image. It may not happen as often, but if you're a guy like me looking for the best image likely to be produced by any photographer at any time , in any location, you will forego the fancy AF for a shot at a really, totally knock out image.
It's all about how you choose to work. If you're working for the Toronto Star covering a Jays game, you want the highest possibility of an acceptable image. You have to produce every day, every game.
If you're a guy like me who sells directly to the public, I have to have the best quality image ever taken of my subject. They don't care if I'm cranking one out every day to earn a salary they just want one picture they can hang on their wall, and say "this is possibly the best image ever taken of ______________ whatever the criteria are.
So what we are talking about here are two totally different modes of operation. East and west and never the twain shall meet. This is much more apparent to us old guys who have used large format, with no AF at all. When we leave the studio, for the type of work I do, we might even take a 4x5 film camera. We know, way less chance of getting the image we want, but if we nail it......
SO you go out there confident in your ability to produce, one of the techniques you've learned over the years is going to get you the shot you want, and Faster AF and Tracking is not an acceptable trade off for less image quality.
A coupe of the guys I shoot with are shooting with 600mm F4 lenses on 1Dx or 5Dx bodies.. You'd be amazed how often I go out with the K-3 and DA*60-250 with the 1.4 on it and at the end of the day have the best images of the group. They have frame rate and AF, I have file size and portability, the ability to quickly move to a position that gives me the best light shooting position.
So forgive me if I'm a little disrespectful of the value of fantastic AF. All I want to know is how do I get the best image. I will accept the days when they get better images because of advanced tech, for a better image every now and then with average type of tech. They bank on their gear. I bank on my skill and understanding.
What kind of guy you want to be is completely up to you, but do I think the guys I shoot with who are carrying $15k worth of gear to get images that aren't as good as mine at least 50% of the time? From my perspective, having a wallet that's always empty and not much income to spend on gear, I think they are idiots.
For me it's all about final image.
What it takes to get it, is for me to figure out how to get it as cheaply as I can.
To me hobby photographers stressing about AF speed are missing the point.
And people who buy fast frame rate and top of the line AF who aren't shooting professional sports are wasting their money.
All I care about between a K-1 and D810 is, if I can figure out how to get the image I want on the K-1, and that I have a shot at having the K-1 image being the best image possible in those conditions. Pixel shift and in camera shake reduction will give me that. End of discussion, at least for me.
For what I want, a K-3 and a good lens, is more what I want than those $15k systems listed above.
Some one will probably jump in and say, "You're just saying that because you can't afford the big system."
Well let my put this out there....
No, I wouldn't buy those systems, unless I were a pro sports photographer.
But I probably will be looking at a K-1 and a 150-450 sometime in the next year. Thanks to some favourable circumstances I'll be able to afford what ever I want. And none of those fast AF cameras is on the list. They don't have what I value. And for 99% of the world, that is true for them as well.
Nothing makes me growl more than some amateur pretending he needs advanced AF and frame rate. What an ego trip.
Most of us are going to settle for something less than the best. SO why are folks concerned about which is better, when most are better than the worst, and none are better than the best? We all choose the compromises that give us a chance at what we want, and super fast tracking and AF are not really even on the table. You have to give up too much to get them.
Some of us choose what we want for totally spurious reasons and then learn to make the most of what we bought. Nothing wrong with that either.
The only question is, given my skill set etc. can I get the best image possible in the situations I find myself with this camera?
If you have confidence in your ability to make lemonade out of lemons, leaning on technology is just an expensive crutch, especially if you have to give up Image Quality in the final image to get it, or on the case of the K-1 and D810, pay an extra thousand dollars to get it. I will always try and learn new skills to make what I have do what I want, before I start leaning on better much more expensive technology. Us old large format are used to this. We know all you need is something to capture the image and a makeshift bellows , a magnifying glass, and few doo dads, card board and duct tape and we'll produce an image. All these modern bells and whistles completey obscure the point. You have to keep in mind what exactly it is you're doing.
And the crazy thing is, the guy with the D810? He can get the images his system is good at that I can't get , I can get the images my K-3 is best at, that he can't get, and we can both go home happy. Buying something expensive isn't smart. Buying the most appropriate thing for what you do is smart. And AF speed for most of us, is a very small part of that equation. Recently I went through A 24 frame wildlife burst next to a guy shooting a 1Dx. One of my 24 frames was the shot I wanted. The fact that he got 36 frames in the same time frame at lower resolution means, in that scenario I win. He didn't get the same angle as me, he didn't get as good a pose as I did, he didn't get the same resolution I idid. He got 36 images, not one of which was as good as the five I kept.
He had the fastest focusing, highest frame rate on the most expensive camera and lens available, but that didn't get him the best image, at least not that day. It's a whole system. Don't get lost focusing on one small part. And realize that practically "small difference" in the end works out to be "no difference" most of the time, it's not about frame rate, it's not about AF, it's about at the end of the day, who has the best image.
"Find the lens you love and buy the camera it fits on."
Last edited by normhead; 08-28-2016 at 06:25 AM.
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