Originally posted by baro-nite That's a useful semantic distinction, even though it's clear pathdoc is using "era" in the sense you're using "hey day".
Exactly. The golden age of film photography is definitely behind us. We are probably climbing out of the post-golden-age collapse/implosion, and if that is the case - if the last six to eight years were the darkest hour - then if we can sustain some (any?) growth in usage, the film companies will continue to back us by keeping at least some emulsions available.
What we are going to run out of first, I fear, is people like Eric Hendrickson. If we can avoid THAT catastrophe - if we still have people around in another thirty to forty years to give our just-freshly-CLA'd MXes and Spotmatics and what-have-you one more tune-up - then film photography could survive into the 22nd Century even on the back of the current secondhand market. Who knows whether my MX's circuit board could be replaced in 2057? But it will still shoot without it, provided the shutter curtains can hold out that long.
That's a point, actually - absent a HUGE resurgence in new-build film SLRs, probably the last surviving film cameras in full use will be the ones with all-mechanical metal shutters.
Will the CD ever have a resurgence? Somehow I doubt it.
Arguably not, because it was replaced by the very same thing that ended vinyl's reign - the presence of a smaller, more compact storage medium that was much less sensitive to violent movements of its player. The problem with CDs is that they have no compensating factors - being digital media just like MP3, there is no "ineffable, indefinable quality" to separate them from their successors. The one advantage they still have is that they are available as a hard-copy read-only medium that cannot be electronically corrupted or erased (as can the MP3 files in your music folder). Much like film, really...
(Let us not get into arguments over archival quality here.)
Last edited by pathdoc; 11-29-2017 at 09:15 AM.