Originally posted by DeadJohn Comparing the K-1 to the A6500, if you were doing landscapes I would say the K-1 is far superior. For portraits and events, though, they each have appeal. A6500 main advantage IMO is smaller size. K-1 main advantage is at low-light events. For on-screen viewing and printing at moderate sizes up to around 16x20 you probably won't see a significant image quality difference between the 2 cameras.
I hardly do landscapes anymore. I dont travel much so the opportunity does not come. From review it seem like the A6500 does very well with movement. So that is my main aim.
---------- Post added 13-03-18 at 08:59 ----------
Originally posted by jatrax That is the critical question. If the Sony gives you something that you are not getting from the Pentax then by all means get the Sony. But shooting two systems, particularly at the same time, for example at a wedding, would not be something I would want to do. Too many camera adjustments are for me 'muscle memory', I don't want to think about where the button is or how the menu works.
Trust me. I know this very well. I shot my K-3 this weekend for the life of me could not find where jpg color settings was. On the K-30 it on the info menu.
---------- Post added 13-03-18 at 09:12 ----------
Originally posted by filmamigo i have shot multiple systems as i figured our what i liked. It helped that there were good sources of used gear for cheap (keh etc.) plus i like to shoot film as well as digital, which makes some things cheaper.
I've sampled the contax system; the fuji x digital system, and nikon (digital and film.)
if i had my way, i would shoot a nikon f3 and f100 with pentax limited lenses. Unfortunately, i haven't liked the results from adapted lenses (pentax to nikon requires a glass-element adapter that robs resolution, and i wasn't a fan of manually focussing my limiteds on the fuji xe1.
So i have stayed true to pentax in large part thanks to the limited lenses. (the pentax bodies are good, but not the reason i stay.)
of course this only applies to miniature formats (35mm and below.) in medium format i'm a bronica guy!
phew! :d
---------- Post added 13-03-18 at 09:25 ----------
Originally posted by Alex645 I primarily shoot Pentax medium format film and Nikon FF digital, but sometimes find myself with a Nikon 35mm film and Pentax APS-C. It works for me; I have my own reasons and history.
I understand, but if you're being paid, the couple expect you to be and act as a pro, which includes the calibre of your equipment.
Yes and no. You've probably thought thru a lot not mentioned in your post. I have no doubt the APS-C Sony a6500 can get the job done. But if I were you, I would spend 500€ more for a K-1. You should be making that difference in just one wedding. FF will put you ahead of all the other mirrorless cameras at the event in terms of both results, options to crop, and perception.
Most couples, or most parents that may be paying for the photographer, don't know photography. All they know is that if you're running around with what looks like a 500€ camera, they will judge you and your price and also you'll command a little less authority when posing shots. (Yes, I know the a6500 is worth 3x that.) When you're out there with a FF DSLR that looks pro and expensive, the couple and their family will feel they are getting their money's worth because they don't know how to use a DSLR and don't have one at their disposal.
The best argument for having a mirrorless IMO is being able to shoot nearly silently during the ceremony.
I hear you about the K-1 but for me FF is not the holi grail. I plan to own one someday. I like I said I was thinking about it.
I think I care more about High ISO performance than anything else. At this moment I think the APS-Cs are getting on par with the FFs. Maybe only two stops behind.
This whole Sony thing started with release of the A7III, an FF camera. But I realized that my need was more about AF than anything else. The A6500 has great reviews.
As to the gear and impression, I am there with you. Though not fully. But i understand what you mean. I think clients will come with what they see on my site.
But lugging professional gear around impress people. That is why I dress cool (tie and pants shoe) when I am on a gig.
A lady I had met once did not recognize me when I was in my "professional" mode, slinging two bodies with my diy holdfast straps.
---------- Post added 13-03-18 at 09:28 ----------
Originally posted by UncleVanya Where you lose me is the 28-75 on an APSC for wedding use. I am not seeing how a lens that narrow gives you the range you need at a wedding. The same lens on a FF body would be a no brainer, but on crop that seems very narrow.
As for Focus. The K-3 is inferior to the K-1 from all accounts but I have no idea how much better (and under what conditions) the Sony is. I don't find my Panasonic GX-7 to exceed my K-3 but I also don't shoot anything that might benefit from enhanced AF MOST of the time. I wish I could provide better input here. In truth maintaining multiple systems is a pain unless the payoff is big or the expectations are small. I ended up with m43 by trying to assemble a smaller travel kit and play with mirrorless. I got in for cheap and expectations were small. My Dad then grew the system by buying more stuff and for a time was happy playing at it but never really got his hobby back off the ground. I then reacquired my gear and his and have two systems. It's more costly to maintain - two systems to upgrade over time, two times the lenses, etc. I don't know that I would ever consider doing what you are doing - I think I would only do so as a trial to see if switching was possible. Most two or three system users I know are either pro's or they need multiple formats (645, FF, APSC, M43, 1", etc.)
Yeah I know right. the 28-75 is FF and the plan was someday when I get an FF. Future proofing.
Interestingly I have not had a problem. Even though I keep saying I should buy a wider one. Because I see that wedding venues are quite small here. It was worked well.
Nice collection you have there.
---------- Post added 13-03-18 at 09:32 ----------
Originally posted by CDW I recently sold my 645Z system and lenses, as I no longer find it a satisfactory system to travel with due to some airline weight restrictions. I also find my K1, using pixel shift, essentially equals the Z in image quality, so far as the average buyer is concerned.
I also shoot a considerable amount of video using a GH4 but I've not been happy with low light performance, so it is being augmented with a pre-ordered SONY A7III, giving me some video capabilities the GH4 is unable to provide, as well as a FF backup body for my K1. I'll use a number of my legacy manual focus K mount lenses with the SONY via an adapter. The SONY, incidentally, is getting rave reviews for its tracking autofocus and 10fps capability.
I simply find it impossible to find one camera system that meets all shooting requirements. Video requirements aside, the K1 is still the Swiss army knife of DSLRs for those of us that shoot nightscapes. I'll likely upgrade my K1 to mkII specs later in the year.
Thanks for sharing. The A7III the source of all these problems. Which adapter are you thinking of. The Techart pro?