I think there's another aspect to CCD, or at least the Sony CCD sensor that I'm used to (K10D) versus the CMOS sensors I've used from Samsung (K20D) and Sony (K-r, K-50, K-S1).
There seems to be a more "compressed" dynamic range already baked into the files - I think that since the sensor capture itself in CCD is analog and only the readout is digital (and someone can correct me if this is wrong), that it happens during the analog capture.
I first noticed it right away after getting my K10D which substituted my K20D. Part of my photography hobby has always been to go out during my lunch break - when light is at its worse! - on "photo walks". I did this for a couple years with the K20D and I have to say that it was always a pain to process the pictures that had sun + shade in bright days because I had to expose for the sun-covered area (Sunny 16) and the shaded areas would usually be almost black. And since the K20D's dynamic range is pretty poor, getting a couple stops out of the shaded areas always came with a lot of that ugly Samsung-sensor noise.
After I went out with the K10D in similar conditions, I found out that getting 2 stops out of the shadows was not nearly as painful at ISO 100 - the dynamic range in the shadows was already better than the K20D. But most importantly, I didn't really have to dig into the shadows that much - there was already more shadow detail in the picture itself. In other words, the shadows weren't as dark compared to the bright sun-covered spots. I know this is a very non-technical explanation but it's the best that a non-technical person like me can attempt to explain...
Here's the picture that really brought me the "a-ha" moment...
With the K20D, the shadow areas would be much darker straight out of the camera. With the Sony CMOS sensors that would also be true but recovering detail would be much easier due to the excellent dynamic range at ISO 100. But just seeing this straight out of camera made for much more enjoyable walks with the K10D (of course I did lift the shadows a little bit for a more natural look, but it wasn't bad to start with).
Every once in a while I keep looking at a Sony A290 for the 14MP CCD sensor - the latest and best CCD sensor ever created in APS-C format. That and the Zeiss 16-80mm f3.5-4.5 lens that was a thousand dollars new and now sometimes can be found really cheap, would probably make an amazing CCD-based setup... but I keep thinking, I'm already good with the K10D.
Last edited by ChristianRock; 12-27-2019 at 04:35 PM.