Many threads in Pentax Forums discuss new gear, the choice of camera formats, lens options, and equipment performance. Indeed, the promise of the upcoming Pentax K-3 Mark III has prompted many members to reflect on their current kit and to entertain the lure of new features, higher performance, and an enhanced shooting experience. However, while the choice of equipment is important, it's not the only element in the chain between one's photo subject and a pleasing final image.
I would say that I have assembled a decent kit over the years, consisting of a K-3 II, various 'modern' lenses covering 15-300mm, and a modest collection of classic vintage lenses. My tripod system is sturdy and reliable; my filters are functional; and my library of photo books includes the essentials. On the other hand, my compositions could be better; I still blow the highlights occasionally; and some of my subjects are downright boring.
Earlier this year, while facing months of COVID-related restrictions, I reflected on how I might spend time to improve the outcomes of my photography hobby. I identified one area for serious study:
post processing. Although I've become fairly adept at developing my RAW files with
RawTherapee, I have had virtually zero experience in the finer aspects of 'local adjustments', layers, and masks. I've used PaintShop Pro for basic editing functions and image resizing, but have largely ignored 90% of its capabilities.
When Serif -- the maker of
Affinity Photo -- offered 50% discounts, I acquired a Windows version for CAD $35, an absolute bargain. After dipping my toe into its vast array of tools and functions, I decided to invest in one of the
single best photo-related items I've purchased recently: Serif's
Affinity Photo Workbook, a printed edition that sells for CAD $65. I'm walking through the heavy 480-page exercise book section-by-section. One of the highlights of the Workbook is that the reader can download the actual RAW and jpeg files that are used in the exercises, which really enhances the learning experience. I'm not a LayerMaster or MaskMan yet, but I'm progressing in my knowledge and skill, and already I'm finding that my images are benefiting from the subtle tweaks that the application affords.
So, my intent here is not to promote Affinity Photo
per se. Rather, I'd like to suggest that one's photography may be enhanced through various avenues, and that
gear acquisition syndrome may be moderated through a prescription of focusing on other aspects of the photographic process. Improving one's knowledge, skills, and ability may have a greater influence on your outcomes than buying yet another lens or getting a new camera.
- Craig
Last edited by c.a.m; 11-24-2020 at 08:16 AM.