Originally posted by Class A
This statement may (I haven't checked it) make sense for JPEGs. It certainly does not make sense for RAW data. The latter has a linear correspondence to the light levels in the scene and there are no "shoulders" as we know them from film, neither in the highlights, nor in the shadows.
I can only speak from my field experience with 4 camera brands, Oly, Sony FF and APSC, Canon FF, and Pentax medium format and FF. I nearly always have to underexpose my Pentax shots versus my ones with other cameras (which is a PITA now at work, where I sometimes have to shoot Canon and my own Pentax cameras side by side, and I sometimes forget about not underexposing with the Canon's---in fact I can slightly overexpose with them. I can almost never do that with my Pentax cameras). With the exception of time-lapses and the very, very occasional grab shots, I shoot raw. I find that the 645Z is more prone to overexposure than my K1mkII, but that's maybe a bit more feeling then true difference---yet it's a somewhat strong feeling.
Quote: It is true that the Sony sensors used in Pentax cameras have very little digital noise, so shadow recovery is well-supported but that is true for practically every modern digital camera nowadays.
I don't find that to be true of the Canon's I'm using, 5DmkIV's.
Quote: The JPEG engine within the camera may or may not have a harsher transition to clipping than other cameras, I really don't know, but I'd say anyone wondering about the level of improvement that ETTR provides over regular exposure, should definitely shoot RAW, instead of JPEG, and then forget about what the in-camera tone curves for JPEG development look like.
I don't think one should forget about them entirely, because they are all we have, but it continues to be aggravating that we can't have a raw histo readout in 2020. Should be a standard feature---if shooting in raw the readout is for the raw, and if in jpg for the jpg. Maybe this is a stupid statement for a technical reason I don't yet know about.