Originally posted by ZombieArmy Unlike a lot of people here I started with digital and moved to film afterwards. My answer would probably be yes. Limitations can expand your creativity and make you think outside of the box, coming up with solutions to problems that you may not have had to otherwise. When you can do anything with no downsides you sometimes end up doing nothing. Moving to my older SLRs/Rangefinders puts me in different situations that create different thought processes.
I think people have taken the question to a different direction though, you can be limited with digital like you can be limited with film. Taking portrait shots with nothing but your camera for example can be a big challenge, working with natural light, finding things around you to modify the scene to make it more pleasing. Thinking of the problems in a different way.
ZombieArmy makes several interesting points. The creative thinking that can come from limited choice is something that folks might call the Creativity of Minimalist Thinking. It is an approach as old as human time and it seeks to focus the mind by eliminating all sources of distraction. That it is still around is a testament to its effectiveness. But these old roads also teach us that there are many paths to a goal. Some might say as many as there are people who would seek a path. In fact, ZombieArmy points out several ways to limit oneself when approaching portraiture. Clearly even minimalism offers choices that will either increase the opportunity to be creative or sally confuse and distract the already perplexed.
Thus, Minimalism can work. But it is not the only path to creative thought. Another road is the Mastery of Discipline. Learn your camera. Learn your photo editor. Learn your craft so thoroughly that there is little in the practice that can give rise to distraction or confusion. Those who play musical instruments are quintessential examples of Mastery and Creativity through Discipline. For them the technology is so thoroughly internalized that their instruments are an expression of their own bodies and minds. How many of us can say that about our photographic gear and tools?
Of course musical instruments have had centuries to evolve their human to machine interfaces and in so doing have become nearly perfect. The film camera of the early to mid 20th century has a similarly perfect interface. Hence in my opinion, we have the desire of some today to return to the photography of those times. Is this desire rooted in a pursuit of minimalism or is it a desire for a perfect interface that makes the technology an extension of body and mind?
Ultimately our work speaks for itself. A knowledge of the photographer and the challenges he or she faced can enhance our appreciation of the work, but the work still must stand on its own. Given that, how we make the picture, how much tech was used, what kind of metaphysical experiences we sought, all matter for little. The picture is the point, the whole point, and nothing but the point. EVERYTHING else is a distraction. A necessary distraction, for some a joyous one, for others a misery, but a distraction none the less. And being necessary, one we must come to terms with. Either through a rejection of technology rooted in minimalism or an acceptance founded in discipline. I suspect that for most of us, we will find paths somewhere between the two extremes.