Originally posted by Mooncatt I doubt I'll be able to get that sort of assignment
I've seen your photos, you have a good technique and understand the action that is happening, so you know how to position yourself to capture. I suggest you put together 3 to 5 of your photos which really present the dynamism of the sport, print them in 8x10, and send them to a few NHRA affiliated publications and ask to be assigned to cover something. All they can say is "No" and you only lose a little money and time. Also, talk to the photographers who have press credentials, ask them if they need an assistant, or how to get some assignments.
Originally posted by roberrl You may find that a magazine or web site in those territories would commission you to cover an NHRA event and provide suitable paperwork to persuade the NHRA to allow you trackside.
I don't want to double-dog dare you, Mooncatt, but I will if that's what it takes for you to give it a try
As much as I enjoy travel and landscapes, I want to do more portraiture. I never took many pictures where the person is the subject of the photo, except for family and friends, and nothing formal, mostly snaps using ambient lighting. I did practice a lot of street photography, but rarely have I asked anyone if they would mind holding still while I took their picture.
in the past decade, I've become more interested in the technical and social challenges of capturing people. I've also become more interested in artificial lighting and studio set ups.
So, my portraiture would be twofold, first would be environmental, people outside on the street are one idea. Another is taking pictures of people in their home or workplace, areas where they are most at ease, areas they consider extensions of themselves. Shooting in those locations often provide more context for the subject.
I've lived in the same small town now for 14 years, and I wish I had spent more time taking pictures of the people who populate the town, because it is now growing and losing some of its past.
I'm inspired by Joel Meyerowitz, who walked around the streets of a seaside resort town for a few years with a large format camera and tripod, taking pictures of people in the streets. Those images are some of the best I've ever seen for portraiture.
The second would be formal studio portraiture, where I have to meet the challenges of getting the lighting, pose, etc correct in order to present the subject well.
I also want to make more pictures of male faces. Looking at photos submitted for critique on PF and other forums, as well as in photo magazines, the large majority of submissions are of female faces. That is fine, and completely understandable for a number of reasons. However, I am more often stopped cold by a well executed portrait of a male face, in part because those are fewer, but there is something more to it.
---------- Post added 07-10-21 at 07:19 ----------
Originally posted by ramseybuckeye finding a spot to shoot them is sometimes nearly impossible, like several places I have in mind that are visible as glimpses from busy highways.
I know what you mean, I have that problem in my own area, let alone travelling. There is something to be said for paper maps and gazetteers, they offer routes that your GPS won't show you.
---------- Post added 07-10-21 at 07:26 ----------
Originally posted by dlhawes find that just exploring the area within 25mi. of my house is a pretty big job; over my lifetime, I've explored most of Virginia,
I've lived in Virginia going on 14 years, and there are still so many places I have not yet visited.