Originally posted by pepperberry farm not having a film background, I never learned what was 'conventional'; I've found that I really don't care for the standard 50mm focal length....
but move up a notch, and I found that I love the 55 to 58mm range...
Conversely, one can move down a bit and have the 43... which I find much more liberating on the K-1 than I ever did 50. (I do quite like 50mm on APS-C, but I never really got used to it on FF despite the Pentax 50/1.7 formula having a delectable rendering, IMO).
The 55-58 range fits with the 85mm FOV on full frame, which probably means something
. I've been known to enjoy both the 77 Limited and 90mm Tamron on my K-1, I'd say it's really a toss up in terms of which FL is better...
---------- Post added 07-09-21 at 12:09 PM ----------
Originally posted by CarlosU In film days 135mm primes where quite common. Almost every important manufacturer offered at least one. It was the portrait lens "with an extra working distance".
These days it looks like a forgotten prime focal length. Always wondered why....
P.S: I just did a quick search in B&H and looks like Pentax is one of the few that doesn't offer a 135mm any more. Canon, Nikon, Sony and many third party manufacturers do, go figure. My mistake.
Most of those 135 lenses are more the fast bokeh monster options, aren't they? I think both Sony and Sigma are f/1.8, the Canon and Samyang are f/2. Most typical film-era 135s are more in the 2.8-3.5 range.
I personally quite like it, but it's a focal length that only really works for "portraits with a lot of space"... and every manufacturer has
very good 70-200 f/4 relatively lightweight zooms for those situations, so the only reasonable versionof a 135mm prime would be a large, fast prime (or a sorta pancake - I'm actually hoping for a DFA Limited that goes to ~120-140mm).