Originally posted by MiguelATF An intelligent, thought-provoking and intriguing post, luftfluss - thank you for all of your observations!
I'm curious about one of your thoughts - #15 to be precise: "The JPEG engine in the G9 is quite nice, but far less customizable than Pentax."
As someone with my feet in both camps - I've used many Pentax cameras for decades, though I'm currently down to a Q7 and an original Q (having perhaps foolishly parted ways with my KP a few years back) - and am also shooting with the G9's smaller sibling, the (rangefinder-body-styled) GX9 - I'm wondering which aspects of Pentax's internal JPEG engines (and I know they vary from camera to camera) you find the most useful and customizable?
Confession: I'm fascinated with (and sometimes obsessed by) the internal JPEG engines of different cameras. One of the reasons I bought a GX9 was because of its internal l.monochrome.d jpeg picture setting (available on the newer Panasonic bodies, including your G9). Supposedly the Panasonic image engineer who created "l.monochrome.d" - Takayuki Tochio - spent months shooting Tri-X 400 on some older Pentax film SLR's, and in interviews he has said that only after studying the qualities of printed Tri-X images (both his own, and those published by many generations of earlier film photographers) allowed him to realize the tonal qualities he was trying to emulate in this JPEG setting. Additionally, Panasonic menus allow one to vary multiple elements within a given setting - including digital simulations of various filters (yellow, red, green) which alter the monochrome image in intriguing ways. Long story short: I am a fan of Panasonic's newer JPEG's.
So - coming back to your #15 - what is or are your favorite Pentax JPEG customizations?
Hey Miguel! I'm not much of a JPEG shooter, I fear. I simply noticed while exploring the seemingly sprawling menu system of the G9, the JPEG adjustments appear to be less granular than with my Pentaxes. I had a similar observation about customizing the LCD display - Pentax offers far more options than the G9.
These types of things strike me, I guess, because some Internet pundits reference DSLRs in general, and Pentax in particular, as being dinosaurs and obsolete, and yet here are examples of where even a low-tier Pentax K-70 has some more customizable features than a "flagship" mirrorless body.
I know that Panasonic's monochrome mode(s) have long been well-regarded, even back the the LX7 (I had one) days. You've now inspired me to try it out on my G9!