Ok...just put the files into Premier.
Awesome!!!
For simple green screen shoots like this (where I use a K3/K1), I use the camera's onboard mic to record a scratch track.
I don't bother to put a mic on the camera (in these cases), since I have the talent mic'd, and I use a Zoom H6 to get the wireless audio.
With that said, the K3 by itself, records in monaural, and Premiere duplicates the right and left channel.
What's awesome with the K1?
The K1 records in stereo without a mic, and damn, it's REALLY clear!
So I consider this a check for upgraded video.
More to come as I go along.
---------- Post added 05-20-16 at 12:49 AM ----------
Ok, so here is a short clip.
(I don't know why it plays at only 720p here on the forums - 1080p on YouTube?)
There are two K3's and a K1 that was used for this clip.
The K1 is the middle image, and I've done some basic keying to get this up.
All cameras were shot at the same exposure - 1/50 - F/4 - 800iso
The K3 cameras had the DA* 16-50, and the K1 has the FA 50mm.
She tapped the table, so there is just a slight jarring of the K1 in the clip.
I can't show more because it's confidential.
So as of right now, the K1 is going to fit into my existing K3 workflow.
No changes whatsoever.
Consider that good or bad, but since I work my Pentax cameras, it's nice to know I won't have to change anything to transition to the K1.
Again, when I shoot, in a second I can be asked to shoot photographs, and the K1 is going to be an awesome tool if a shoot goes in that direction.