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03-03-2017, 03:12 AM   #1
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Macro lens for K1

No sure is this as been asked before

any recommendations for a good macro lens for the K1 i have some food photography coming up ( not normally my area) and i,m looking to get something
also has any body had a play with reverser rings on the K1 if so what are your thoughts

many thanks for you help

03-03-2017, 03:24 AM   #2
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DFA50 and DFA100WR come to mind....

The older FA and F series variants are also excellent.

50mm would give you a better working distance for food, but do you really need a macro?

Last edited by Sandy Hancock; 03-03-2017 at 03:29 AM.
03-03-2017, 03:36 AM   #3
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The 50's got an aperture ring to use with a reverser, the 100 doesn't, IIRC.

Tamron 90 and Sigma 70/105 are options, too, along with all the legacy stuff.
03-03-2017, 04:09 AM - 1 Like   #4
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Sigma 70mm

03-03-2017, 06:35 AM   #5
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50mm would probably be most flexible. 100mm even on FF is pretty tight.
Reverse-rings? If you need super-close images of individual peas or rice grains maybe. Otherwise, use a standard macro lens.

The 35mm from Pentax might be wider than you need, and the Sigma 28mm macro is even wider.
03-03-2017, 06:37 AM   #6
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MF would seem good for food pics. One of the best and certainly the most readily available macro: Tamron adaptall 52B/BB 90mm f2.5.
03-03-2017, 06:54 AM - 1 Like   #7
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First, the big question: how macro do you need to go? Do you want pictures of in which something like a dinner plate fills the frame (1:7), an apple fills the frame (1:2), one teaspoon fills the frame (1:1), one raspberry fills the frame (2:1), one peppercorn fills the frame (5:1)?

Reversing rings are generally better for high-magnification macro (1:1 or greater). Depending on the lens you reverse, you may not even be able to get low magnification macro at all. With a reversing ring, you'll also need extension tubes or bellows if you want to control the field of view or magnification (the focus ring of the lens often does nothing if the lens is reversed). And anything above 1:1 will probably need extension tubes or bellows although you might get lucky and find that a wide angle lens you already own produces high-magnification macro if reversed.

For macro up to 1:1, I'd pick a macro lens such as others have mentioned. Whether you go with the 50 or the 100 or something in between depends on the kind of perspective you want. The 50, being wider than the 100 will show more front-to-back variation in magnification and show more background objects in perspective than the 100. It's a stylistic decision so you might want to look around Flickr or some other site at food photos and see if have an opinion. If you don't need/want the "wide angle look", then go with the 100 because it provides more working distance for getting lighting around the subject. Moreover, some people like using the 100 for portraits, so that makes the lens more useful.

Good luck!


Last edited by photoptimist; 03-03-2017 at 08:15 AM. Reason: typo
03-03-2017, 06:56 AM   #8
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Reversing rings (lens filter threads to K mount) are inexpensive (under $5 on ebay) just buy one with the filter size that fits a lens you want and try it out. The lens you reverse ideally has an aperture ring, is a wider angle (50mm or lower), is relatively small, and should have a solid construction. Lenses aren't really made to hang by their filter threads. There's no way I'd flip my dfa100mm (the non-WR version) around, and from what I remember of the dfa50mm, I probably wouldn't reverse that one either. I go back to the old metal days for my reversing, an SMC-A 28/2.8 or a 50/1.7 or 50/2.

Ditto for reverse coupling rings (lens to lens). Just buy a size you'll use and try it out.


For a good dedicated macro lens... I don't think there are any 'bad' dedicated macros. Get one that fits your budget and the working distance you want. The dfa50mm seems like the obvious choice for general use vs. non-moving targets.
03-03-2017, 07:59 AM   #9
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I can recommend the Sigma 50mm F2.8 macro (manual focus) if you want a budget 1:1 macro lens.
Comes with "A" contacts so is pretty easy to use.
It does rather depend on what sizes images of food you are taking. A pea or a plateful. If you need a macro lens, the focal length you need to use is probably critical.
Reversing rings? How close can you get to hot food without fogging the glass?
03-06-2017, 01:59 PM   #10
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Thanks every one sorry was a away for the weekend and did,nt get a chance to look at the forum

i think i,m going to try and hunt down the DFA 50mm i think it will do the trick ...and you just can,t have enough 50mm for the K1 can you:-)

after a bit more research i don,t need to do a reverser ring judge by some of the shots from the DFA50mm i have seen it will do the trick

thanks
03-06-2017, 05:09 PM   #11
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Pentax FA 100mm f2.8 is a full frame lens. SMC Pentax-FA 100mm F2.8 Macro Reviews - FA Prime Lenses - Pentax Lens Reviews & Lens Database

I don't use mine enough.
03-06-2017, 07:04 PM   #12
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Pentax DA 35mm Macro Ltd.
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03-06-2017, 08:26 PM   #13
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And don't overlook the Sigma 180mm F3.5 EX IF Macro.................................. If you can find one.
03-06-2017, 08:41 PM   #14
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QuoteOriginally posted by eaglem Quote
And don't overlook the Sigma 180mm F3.5 EX IF Macro.................................. If you can find one.

There's one in the Marketplace right now.
03-07-2017, 12:22 AM   #15
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FOV, working distance (preferred and available) and DOF stopped down will be the main factors determining what you use.

FOV - if its a tight shot of the food, either 50mm or 100mm should be fine. If it requires a mix of full table shot, dish with bkgnd, close up of food, then a 50mm maybe more versatile.

Working distance - small kitchen w/ no space to move back for framing? then 50mm; Shooting with large spaces to move back on for framing, 100mm will do too.

DOF stopped down - 100mm for that bit more isolation via DOF stopped down (eg. plate of food and bkgnd that is blurred off to taste); In fact, by that point, maybe a 135mm or longer might work too.


If the situation is unknown, I'd bet on the 50mm macro, since I can't possibly phase thru walls
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