Originally posted by TheSwede Using AFC on still subjects will get me porer results than with AFS.
That's a good point and you are right, AFS is the right choice for still subjects. I'm using a still subject to test my AFC mode as proxy because I don't have a moving vintage car driving in a loop for testing various settings and various approaches.
Just for better understand, I have to describe my workflow.
- I shot multiple images for later stitching as panaramas, which include a vintage car on the road and the landscape in the background
- I shot the car first, that when auto-focus is required, the goal is to have the (moving) car in good focus
- soon after I shot the car, car disappeared from the scene, I block AF using the back button AF option "Cancel AF", so that the lens focus doesn't change, then I shot a 2 to 6 additional frames to include the scenery around the car
- I put images together for stitching, tell the stitching software to include the car (using a mask)
- Final result is a "large format" panorama, between ~70Mpixels (3 images stitch) and 200Mpixels (20 images stitch)
I don't want to use fast burst or AFC tracking, because the focus is changing from shot to shot, and changing focus is a problem for stitching and final rendering of the panoramas.
Best case: the car in well focused, also allow to have the car (main subject) in a corner (not possible with a single DSLR shot due to AF point located in the center) , distant landscape is slightly out of focus, plenty of resolution printed big.
Worse case: the plane of focus isn't on the car, or the lens focus shifter between frame (e.g I didn't press well enough to cancel AF after the first picture was taken), in that case the whole panorama is ruined.
Observation with AFC, single shot, 1st frame focus priority: around 8/10 or 9/10 are reasonably well focused, but 2/10 or 1/10 can be complete out of focus (unusable). So I am trying to understand what happened.
Other than that, I've been working on this technique for the last two years, and my workflow improved a lot from two years ago. I'm now able to produce "dynamic" panoramas with some "wow" effect (looking like shot with 4x5" with detailed shiny vintage car in the foreground and scenic landscape in the middle and background.
---------- Post added 08-05-23 at 08:19 ----------
Originally posted by TheSwede The 70-200/2.8 is a bit tricky to get a good focus hit with for some reason I do not get.
Surprisingly, I get more keepers with the DFA70-210 f4 (the cheaper and smaller one), but, they are different.
With the DFA 70-210 4, I get a lot of shots that are acceptably well focused but not perfectly focused, still usable.
With the DFA 70-200 2.8, some shots are perfectly focused (100% nailed focus), and some shots are way out of focus, much more dispersion of focus from shot to shot.