Originally posted by ChristianRock It is said that what it lacks in sharpness, it makes up for in contrast and color...
Also, I've seen a few breathtaking landscapes taken with it. I assume they were all at least f/8 - and even by that photozone lens standard, at f8 the center is "excellent" and the borders are "very good".
Lest we forget, it's a Jun Hirakawa lens, so it won't win prizes for outright sharpness...
Given the resolution bump it will get from being on a 36 MP sensor, who knows, it may end up being a star. It does have that 77 ltd. characteristic curve, but the 77 keeps it's edges up close to excellent at ƒ5.6 and ƒ8 where as at least on the lens tested for this chart, it doesn't really give you that one aperture setting where it just blows everything else out of the water.
If a lens gives me one exceptional setting, I'm generally happy with it. If it's s better average kind of lens all the way through it's range, not so much. That doesn't inspire me.
I can buy an 18-135 for 24mm ƒ5.6 and ƒ8 and all I think about very sharp centre at 24mm, excellent edges @5.6 and ƒ8. That people would call the lens "soft on the edges", well, it's also excellent on the edges. You can see the lens either way. Anyway, the 18-135 and Tamron 17-50 are my current 24mm lenses, and I've seen nothing that convinces me that should change.
I really think to make my FF functional I think I'm going to need the 15-30 for landscape eventually although I'll start off with the FA -J 18-35, and DA 35 2.4, 40 XS and FA 50 1.7. A also have a SIgmama 70 macro and Tamron 90 macro, so the mid range zoom is probably never going to happen for me. I have lots of primes in that range.
Interesting Sandy almost uses the lens as a portrait /macro type lens, which is it's curve characteristic. I never really thought of 24mm as a portrait FL, but it seems to work nicely for that, for environmental portraits.