Originally posted by Adam I agree- these days, most of those effects should primarily come from PP. I'd get a nice sharp prime with an aperture that suits your creative needs
I disagree...
First of all "film look" is a combination of different factors pertaining to different aspects of the picture taking process: I would include vignetting (light falloff), colors (light transmission), flare (light scattering) etc. etc. etc.
IMHO there's no way to turn a picture entirely into a "film-like picture", so to speak, only with PP, or at least from my point of view you can only fake that.
It's a bit like mic simulators... those piece of software that try to match the rendering of a specific mic, irrespective of which mic was used during the recording... in that case every mic has its own peculiar features that change, for instance, with the placement of the sound source WRT the mic axis... the simulator doesn't know which sources where on-axis and whic ones where off-axis (and by how many degrees), since all the information is mixed together.
It works the same way for, e.g., in-focus/OOF transitions, since the depth information becomes mashed into the picture and can't be retrieved... lenses like the SMC-M 100/2.8 and the modern XS 40/2.8, which have very smooth transitions between IF/OOF areas can't be magically mutated into something else, and vice versa.
Of course if the OP only wants a generic semblance of the "film look", then PP can give that and then some.