I shot a lot of TMax 3200 in the 90s, often pushed to 12,800. Pushed that far, you might as well tape some Painted gravel to a piece of paper...
That said, there was nothing else like it at the time. As I remember (and this may have had as much to do with my development as anything), it did like to block up he blacks, but if you exposed it right, it had a very usable tonal range.
And it was basically perfect for newspaper reproduction, where halftones don’t mind the grain. Indoor basketball with a 50mm f1.4 or Takumar 135 f2.5 in a dark university gym... just the trick...
I like Tuco’s shot, and I know how grainy it would be if it were larger
If I was trying to replicate the look, I would do it in post processing.
On a K-1, you have so much more capability than P3200 ever had.
You could shoot much cleaner and then noise it up later...
-Eric