Originally posted by normhead It occurs to me that once Apple and other companies put the equivalent of the Apple 48MP sensor in their phones, and Apple puts them in all three cameras, the number of images taken with phones will increase even more, with people having less and less reason to buy a stand alone camera. Once they are topping the resolution of ILCs, and are better for printing large, the gig will be up. ILCs will become specialty cameras of interest only to pros and advanced amateurs.
It’s 48 mpixel on one "normal view angle like 35/50mm” lens but
only 12 mpixel on both uwide and tele lenses(yes 2 teles!)...
a 6x optical zoom but combined with a 15x digital zoom (aka cropping) range,
Image stabilisation
and (indeed a very good) integrated postprocessing AI engine to hide the limitations of the lower mpixel, crop zoom etc..and improve appearance.
Sometimes your phone will be only 12 mpixel... or interpolation...even when the output is 48mpxel
Pictures are indeed very ’pleasing’, but there is a lot non controllable parameters including (a kind of mandatory Topaz like) smooth- and sharpening and gigapixel resizing process and ultrazoom emulation by interpolation of the three cameras, optical zoom(s) and cropping.
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Apple camera specs Pro camera system:
48MP Main: 24 mm, ƒ/1.78 aperture, second-generation sensor-shift optical image stabilization, seven‑element lens, 100% Focus*Pixels
12MP Ultra*Wide: 13 mm, ƒ/2.2 aperture and 120° field of view, six‑element lens, 100% Focus*Pixels
12MP 2x Telephoto (enabled by quad-pixel sensor): 48 mm, ƒ/1.78 aperture, second-generation sensor-shift optical image stabilization, seven‑element lens, 100% Focus*Pixels
12MP 3x Telephoto: 77 mm, ƒ/2.8 aperture, optical image stabilization, six-element lens
3x optical zoom in, 2x optical zoom out;
6x optical zoom range;
digital zoom up to 15x
Sapphire crystal lens cover
Adaptive True Tone flash
Photonic Engine
Deep Fusion
Smart HDR 4
...
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One could say they package the equivalent of pentax body and four lenses and postprocessing like topaz in a smartphone (which shows how powerfull and complex our phones are)...
Most people like the automation of these postprocessed pictures, but there all well hidden limits to the resulting image.
In some cases you will look at an image created from a interpolated mix of 12/48mp optical/cropped zoom, and smoothed by the AI graphics processor to please the human eye. Even a raw image of a phone is for that reason only half raw, it’s maybe not jpeg’ed but pre-processed anyhow. The real raw are 4 pictures of the 4 cameras before they were interpreted into one picture.
I also use my smartphone a lot, I like and indeed use smartphone pictures in fotoalbums and my travel picture collections, but still see limitations (but indeed less than in early days of phones), still see differences with my pentax.
It’s not WYSIWYG but ... what you see is processed to what you like to get.
Sometimes it is what you want, sometimes not...
And sometimes I want to know exactly what happened in postprocessing , and sometimes (most of the time?) I want just a nice picture...Apple (and stuff like topaz) is indeed very good in the last one.
Just remember that 48mp is only sometimes true..., only if you don’t zoom or only a little bit. And even then they use other cameras as secondary source for noise reduction and low light enhancement....
Otherwise one could argue as well that mirrorless K01 and gigapixel sw for upscaling produces also 48 mpixel images....
---------- Post added 12-01-23 at 16:13 ----------
Originally posted by Michael Piziak The K-01 was mirrorless, so here is my question:
If the K-01 was mirrorless, then the obvious question is: Why can't they make another mirrorless camera with a digital viewfinder, that takes K lens?
I have read, and realize, that the big barrier is the flange distance, but again, it's been done before with the k-01 - so great big question mark (?)
Actually they do , it’s called live view.