Originally posted by Serkevan Format absolutely plays a role,
Yes, but...
Originally posted by Serkevan 100% magnification just means that the angle of view with a 50mm is the same angle of view as with your eyes.
... is not correct.
Magnification and AOV are two different parameters. They are only coupled, if you fix the output size.
The 50mm focal length is not special because it matches the AOV but because it is an approximation of the 43.27mm focal length that gives one exactly a normal perspective when viewing an image at a distance that is the same as the image diagonal. BTW, if the convention were to look at images at half the distance of the image diagonal, one would have to use 21.63mm to record the respective normal perspective.
A "normal perspective" neither exaggerates or lessen the angles in a scene (wide angles exaggerate angles, long focal lengths lessen them).
Originally posted by swanlefitte With Nikon it is a feat, with Pentax surpassing it, it isn't really good.
I'm not sure that "isn't really good" characterises what they wrote but it is true that in the D500 review conclusion the viewfinder is referred to as "
the large viewfinder" while the K-3 III's viewfinder is labelled "
small". I guess the justification might be that in 2016 the EVF competition was different than it is in 2021?
Originally posted by beholder3 I think any referencing of the 50 mm lens (or any other) is complete nonsense.
Viewfinder magnification is defined that way and it makes sense, since it relates to how a user perceives the viewfinder image compared to the real scene.
BTW, when DPReview quote the FF-equivalent magnification they are doing it to give a sense of the effective size of the viewfinder frame. Even a slightly enlarged APS-C image will still be smaller than an FF image at 1:1 magnification.
Last edited by Class A; 04-06-2021 at 07:40 AM.