Originally posted by ZombieArmy Still, the k-5IIs was so good it was beating some still in production full frame cameras at base ISO for DR. It's all spec sheet stuff for geeks like myself but it was still genuinely impressive at the time.
It's not about how many megapickles you have it's the quality, crunch and taste of them too.
Yeah, I'm not saying 24MP is (or was)
better than 16MP... to do that, I'd have to know the use-cases and preferences of the person I'm talking to. All I'm saying is that it's
different, and at the time that 24MP sensor came out, yes - it had lower dynamic range and worse noise than the lower resolution previous-generation sensor... but let's be honest, that shouldn't have surprised anyone - its how sensor technology always had (and has) "progressed". Years before, the 10MP K10D lost out to the 6MP *ist DL in high ISO performance. Bigger photosites are an advantage in this respect.
Whilst I agree to
some extent that it's not about how many megapickles you have, go ask folks how many would like to go back to using a 6MP CCD body as their only camera (6MP was, according to Ken Rockwell, the most anyone could ever need with digital
)...
Anyhooo... we could toss this back and forth all night and still find a way to playfully disagree. Going back to the OP's original question, @ThorSanchez kindly provided some test files and we proved that there's little wrong with the K-3III raws when it comes to EV boost and shadow recovery. One has to go to
silly lengths with both to provoke any colour shift