Originally posted by Arpe Thanks for all this Will, and respondents. When you get it all sorted a summary would be good!
OK, Arpe, here you go.
My original question dealt with a very limited setup: one K10D with a built-in flash, and one Pentax AF 540 FGZ detachable flash unit. I have been trying to understand the ins and outs of wireless triggering of the 540 when it's off the camera. NOTE there are other ways to do wireless, for example, Pocket Wizards. I've not used 'em but they sound great and I expect I will graduate to them sooner or later. But this thread is about making the most of what you get basically for nothing extra when you have a K10D and a 540 flash unit. I'm going to call what I'm interested in here "basic wireless," to distinguish it from other forms of wireless lighting that involve additional equipment and costs.
How basic wireless works
So, if you have a K10D and an AF 540 FGZ flash unit, you can use the flash off the camera in wireless mode. Wireless triggering has lots of advantages. It's cheap, for one thing: you don't have to buy cables. It is also easy and flexible. It allows you to place the flash some distance from the camera, not just a foot away on a bracket, but three feet away in your hand (one hand holds camera, other hand holds flash unit), or five or ten feet away if you have a confederate hold the flash or set it on a stand -- and you don't have to string a three foot or ten foot cable between camera and flash, and you also don't have to spend the hundreds of dollars required to buy fancier radio units like Pocket Wizards.
The 540 has two wireless slave modes -- SL1 and SL2. You will almost certainly want to use SL1, which is the default.
SL2 seems to be the older method, where any other flash triggers the off-camera unit. The problem with SL2 mode is that the triggering flash might not be from your camera -- it might be from someone else's camera; this of course causes you to have to wait for your flash to recharge and runs down your batteries.
If the unit is in SL1 mode, however, communication between the camera's built-in flash is more controlled, more reliable and less prone to accidental triggering. In SL1 mode, you pick one of four "channels" for communication between camera and flash. These channels are not radio channels, they are in a technical sense not channels at all. I would prefer to use the term "protocols". Anyway, in each channel, the camera uses a series of imperceptibly fast preflashes, patterned in a certain way, to communicate with the flash. Some other camera brands and flash systems use infrared signals, but the Pentax system uses flashes.
Disadvantages of basic wireless
These preflash channels/protocols are proprietary to Pentax, so you don't have to worry about someone with a Canon system setting off your flash, and even if someone else is standing around you shooting with a K10D, in order for that other camera to trigger your flash accidentally, that other camera would have to be using flash, with the flash mode set to wireless, and with the camera configured to use the same channel you're using. Odds of that happening? Small, at best.
Aside from the very small (in my view, negligibly small) risk that someone else's camera will accidentally trigger your flash, there are two other disadvantages to using this wireless arrangement.
The K10D + 540 FGZ combination in wireless mode doesn't support high-speed sync. High-speed sync is mainly used outdoors when you're trying to use fill flash in very bright light. The 540/K10D combination has an x-sync (max normal shutter speed) of 1/180th sec, which is perhaps the biggest weakness of these products. Other systems in the K10D's league these days have x-sync speeds of 1/250th sec or (in a few cases) even faster. But high-speed sync isn't the same thing as a higher x-sync speed -- it's a somewhat special case and has some of its own disadvantages. I very much wish that the K10D + 540 had an x-sync speed of 1/250th sec, but it doesn't; and I don't care too much about the fact that I can't do high-speed sync in wireless mode. You
can do high-speed sync using cables.
The final disadvantage of wireless flash is that it only works if the external flash unit can "see" the pre-flash signals sent by the camera. It will NOT be able to see those signals in certain situations, for example, when the sensor on the front of the flash is pointed away from the direction from which the flash signals are coming; or it's very bright outside and the pre-flash signals are simply not bright enough to be noticed; or the distance of the 540 from the triggering flash is too great. Using a cable would solve the problem of the ambient light being too bright and would be a good solution if the flash was mounted, say, on a bracket, so a short cable wasn't a big hassle to use. But a cable is not a practical solution for the problem of distance, if, say, you want to set off a flash that's 40 ft away. In that case, radio triggers like Pocket Wireless seems to be the best solution.
Bottom line
Basic wireless is not the solution to every off-camera flash problem, but it does work reliably in a wide variety of situations, it's easy, and it's cheap. I bought the Pentax hot-shoe adapters (one for the camera, and one for my bracket) + the three-foot cable, and it cost me well over $100. Pocket Wizards are considerably more expensive than that.
Quote: I'm always toying with buying a flash, but hate the idea of having to take it with me, but you are swaye towards getting one.
If photography can be compared to flying an airplane, then mastering flash photography is like moving from visual flight rules to instrument flying -- a major step forward.
The general principles of controlled lighting are universal and very well explained in the great book
Light: Science and Magic. What makes flash photography somewhat tricky, however, is that you depend on hardware, and unfortunately, the flash hardware is not nearly as standardized as camera bodies are. But boy, it's fun to learn and extremely liberating. I have been a serious photographer for most of my life -- but during most of that time I was not serious about flash. Lately, I've gotten serious about it and I'm having a great time sorting it out.
I will add one last argument in favor not of wireless flash specifically but simply of mastering controlled lighting in a general way. It's an argument made (if memory serves) in Light: Science and Magic. Namely, learning to control the light is both the best and the cheapest way to improve your photography. You may have $10,000 worth of glass in your bag, but if the light stinks and you don't know what to do about it, you might as well quit and go home. On the other hand, with a Pentax K10D or K100D and the $89 kit lens, you will be able to take wonderful photos even when the lighting isn't perfect if you know how to take charge, slap the lighting around and make it your servant. And the lighting is
seldom perfect.
Will