Originally posted by FenderGirl Oh boy. All of the information you all have provided is quite interesting and very much appreciated. In response to Mushin, I am 5'5" and I have no idea what an L bracket or grip is, neither a leveling base.
I have researched and researched for a while regarding this purchase. I have been using in the interim a cheap vivitar tripod that was given to me. It has a plastic pan head which I hate because I don't like the handles sticking out and poking me and it has very thin aluminum legs which led me to decide in a ball head and that I read that ball heads are better for portraiture and non-video work. I do not at all trust my k5 to me mounted on it for long periods of time. I really hate that tripod which is why I want something that is solid and semi-pro.
Most folks when they use a tripod, they just want it to hold the camera still, pointed in a specific direction while they take a picture. If you fall in to that category, you can stop reading. Folks shooting macros, etc. fall into that category also (flowers, bugs, etc.). However, there are other folks that want to take a series of pictures and stitch them together, usually want to have them all level in relation to one another - otherwise it looks like you are stair stepping either up or down hill, and you need to crop which just makes your panorama look that much more long and thin (landscape / cityscape panoramas, architecture, etc.).
That is where a leveling base comes into play. This is where tripod use enters the area of spherical geometry. When you set up your tripod, you can take the time to precisely level it (in all directions). This can be time consuming and frustrating (well at least for me). Or, if you are like me, you pop it down and then depend on the ballhead to provide the level, sit you camera on it and shoot. That usually works well, until you turn the camera to one side or the other to take another shot. Depending on how level the base is (and its usually not that level), that is where the problems start. There are two solutions to this:
- Leveling base - this provides the ability to easily provide a level base on which your ballhead attaches to. This is an additional piece of equipment. Essentially its a partial ballhead - so your sitting your ballhead on yet another ballhead. Somewhat redundant.
- Panning Ballhead - So, if you look at any ballhead there is usually a panning base that is built into its bottom. If the tripod is not perfectly level, then this base will not rotate level (i.e., around a straight up perpendicular vector), and that causes the problems. The solution is to move this panning base (turntable or "lazy Susan") to above the ball in the ballhead. By having this turntable on top of the ball, when you use the ballhead to level the base that you are going to sit your camera on, then you have a level base on which to rotate around - problem solved.
The panning ballhead is somewhat specialized - and is used to take only single row panoramic images. The Acratech GP, Arca Swiss P0, RRS has one, etc. You can also find turntables that can be mounted on top of the ballhead and under the camera. RRS has one, and there are several others that you can search for.
Then there are those of us who shoot multiple row panoramas. That like shooting a picture as a jig saw puzzle, lets say 4 rows of 4 pictures each, that are then stitched together, in to one large image. That needs what is referred to as a Panorama Head. That is what mushin was referring to (the Nodal Ninja 3 or 5 comes to mind). These need to be level, so that everything is in alignment. A leveling base is essential here, or you can sit them on top of a ballhead that is level. Either way - you really want to achieve a level plane from which to operate on. As mushin posted, Nodal Ninja has one, along with Acratech and RRS. There are also others.
Like I said earlier, shooting a flower, bee, or whatever - most folks are intent on shooting just that one shot, that is framed around the flower or whatever object you are photographing, and will never need the additional mechanical support outlined above. The other thing is all of these mechanical support or underpinnings can get pricey.
The bottom line here is that you need to find a reasonable set of equipment that will meet your needs with out busting the budget. A number of the items (above) you will probably never need nor want. Other items like a L bracket you can always add over time. There are lots of opportunities to go broke in this hobby.
In a number of ways, its good that you already have a tripod that you have some experience with - in terms of finding what you like and do not like - and what works for you. You can leverage off of that.