In another thread (
www.pentaxforums.com/forums/38-photographic-technique/269103-hood-no-hood-image-style-2.html#post2901963) a member mentioned using a dslr and lens w/o hood led to more usable photo's--which in turn led to discussion about Tiffen Ultra Contrast Filters. (Presumably) in both case the idea is to introduce some veiling flare, and thus reduce the DR/increase the apparent light in the darker areas.
I think user results may be of interest--and thus mine follow--for digital Raw using the Tiffen (No.) 3 filter (this a relatively strong affect--although I have no idea what the numbers [1/2, 1, 3 ,5, etc. mean]). And I would be interested in others results--especially where both "with filter" and "without filter" results are shown. Presumably the filter was intended for film, and both film and digital categories are of interest.
--- My conclusion is (for me) working w/ raw there is a loss of the "velvety" dark feeling that I look for (as the veiling flare should do) w/o any compensating increase in detail--actually there is some loss of detail in the darker areas.
--- Presumably w/ film, and possibly if I used digital capture w/o raw, it could be more useful. Actually it is pretty amazing what the filter does. If I was trying it w/ film I suspect the next weaker filter (#1) may be better.
Photo's w/ Filter
3384 nocrop........................ACR Curve=moderate contrast
3384.....................................(as above)
"Best Results" for Photo's w/o Filter
3385 copy nocrop_mts.......ACR Curve=linear plus mid tone sharpening**
3385 copy_mts................... (as above )
Other Photo's w/o Filter
3385 nocrop......................ACR Curve=moderate contrast
3385....................................(as above)
--------
(Notes)
**mid tone sharpening is unsharp mask at 12%, 60 pixels, 0 levels. Adobe Camera Raw Curve (ACR/Bridge)set to linear and this unsharp mask are my usual working settings (i.e., above 3385 copy_mts and 3385 copy no crop_mts).
-- I adjusted the exposure slightly (-0.2 e.v., in the photo's w/o the filter [3385...] ) in ACR to have the blue sky at same exposure levels. It was slightly darker w/ the filter--presumably because some light was used in the veiling flare--to raise the exposure everywhere.
-- My details for the photos included a high contrast scene (a convenient and uninteresting one); Tiffen Ultra Contrast 3 filter; K-5, iso 100, daylight WB, Raw; Vivitar (T4) 21 mm f/3.8 at f/11 plus hood
Last edited by dms; 09-18-2014 at 07:06 PM.
Reason: Typos. Had 3384 (should be 3385) after table--in notes.