Originally posted by pepperberry farm One note about the project (for those following along) - I am probably going to be winding it down and not buying any more lenses for it. I find the limitations of the mount vs the lenses leaves too much to be desired.
- I've tried no AR mount lenses at all, simply because all the literature states that I'll never get infinity focus.
- Yashica and Contax mounts do not reach infinity - I pretty much destroyed a Contax 50 trying to determine where the issue is.
- Nikon F-mount lenses do not turn enough on the mount to fit safely - only about a quarter, maybe a third of a turn and they stop - hard stop.
- Olympus lenses must be modified for full aperture control on the mount, and I am loathe to do that to them.
For these reasons, I'm currently shopping for a mirrorless camera that would allow me to use the lenses I have to their fullest.....
I agree with others that Fuji is a very good option. You're already accustomed to using the lenses on APS-C so that won't make a difference. The Fuji system is similar to the Pentax one in many ways - a focus on small, well-built, APS-C primes, lenses that perform above their price bracket when compared to CaNikOny, relatively compact camera bodies...
Originally posted by richard0170 You won't get Pentax colours with Fuji cameras, even when using Pentax lenses. I have to work more with WB on Fuji cameras to get colours I like. However the B&W of Fuji is in my opinion nicer. The Fuji experience is different. The main benefit I find, is that you can get to use some really reasonably priced but excellent Chinese lenses. For instance my collection of 7Artisans 12mm f2.8, Kamlan 28mm f1.4, Meike 35mm f1.4 and Meike 50mm f1.7 lenses came to about £450 total new. Any of your exisiting 50mm plus lenses, especially Macro ones, will be excellent with the appropriate adaptor. But wide angle lenses designed for a DSLR won't be as good as proper ones designed for a mirrorless mount. This is because the flange distance of the DSLR requires more complex optics.
I have found that in many situations my Fuji cameras produce colours I like more than the ones from my K-3, especially when light is low, but you seem to shoot mostly in bright sunlight so that won't be as much of an issue. White balance and exposure are more accurate due to the camera being able to "see" the whole image before it's taken rather than using a much lower resolution sensor to set WB and exposure. B&W is indeed far superior though the much-touted Acros simulation is barely any different from the standard Fuji B&W, so I wouldn't worry about it.
If you're willing to spend on a newer or flagship model then of course that's fine, but you should know that the older and more lowly bodies also work superbly for adapted legacy lenses. The X-E1 can be had for cheap though the lack of tilting screen and wifi was a turn-off for me and I decided to get an X-M1 instead, though it has no viewfinder. The "M" was never continued beyond that first iteration and in many ways it's a shame as it's a wonderful little camera and probably the best bargain around. If you need a viewfinder then go for an X-E1 or X-E2, but for not too much more you should be able to get an X-T10 which has EVF, tilting screen, wifi and some other stuff as it's newer, but still old enough to be a bargain.
I tend to over-simplify with the generations of the Fuji cameras but really the picture is more complex as you need to take into account not just the sensor but also the processor it's using. All the cameras mentioned above have the lovely 16MP sensor, which I believe is the non-Bayer version of the one used in the K-5 etc, while the 24MP sensor in my X-T20 is the non-Bayer version of the sensor in my K-3. I find the IQ performance of the K-3 and X-T20 to be very similar and prefer the output of the X-M1, but it's AF is slower and a bit less reliable (won't worry you if you're only using legacy glass).
And a word of warning - mirrorless cameras are a gateway to rampant LBA as you can adapt just about anything to them. Fujifilm cameras are also a gateway to Fujinon lenses, which are absolutely superb. I used the X-M1 exclusively with legacy glass for a couple of years before I got my first native Fuji lens, the 35mm f/1.4, but after that there was no stopping. I've even considered banning myself from spending significant money on Pentax and diverting those funds to Fuji instead as they're so good and probably have a longer future ahead of them.