Originally posted by EddyinGA I found no posts.
How many of you regularly use circular polarizers when shooting outdoors?
I use a polarizer quite often, whenever I want to control reflections and/or glare on shiny surfaces such as windows, vehicles, glassware, water, and so on. By reducing glare and refections, it can allow photographs of mannequins in store windows, photographs of items just under the surface of the water in lakes & ponds, or photographs of vehicle occupants through the windshield. A polarizer can enhance a morning or afternoon sky (richer blue or colors), enhance colors in masonry and stonework (ruins & castles), reduce glare on water (richer blues & greens in oceans and lakes), reduce reflections on vehicles (richer paint colors), and more. Ultimately, since it is so very useful, a polarizer should be considered a must have item in any photography kit.
By the way, a polarizer can also work indoors, when dealing with shiny objects similar to those described in the previous paragraph. However, the effect is not quite as pronounced since walls, ceilings, and floors often reduce the linear aspects of light. Artificial interior lighting also has poor linear characteristics. However, studio photographers occasionally use polarizers with their controlled studio lighting (filters on both the camera and lights).
Quote: Then, please, somebody "splain" to me why digital cameras require circular polarizer filters when film cameras did not?????
Actually, most film cameras built in the last fifteen to twenty years also require a circular polarizer. It has to do with the metering and focusing systems used in modern cameras, both film and digital. A linear polarizer can be used, but it may cause focusing and metering errors in some situations. To eliminate any possibility of these errors, manufacturers very often recommend a circular polarizer instead.
stewart