Classic. I have the 23CII, (Black, but one of a vintage that has the raised script on the bellhousing: it's nice that it looks classy, since my office doubles as the print darkroom. Lucked right into that on arrival here in town, actually: wasn't as lucky with what I'd thought would be my wet-side darkroom space. But, yeah, there was a funny moment while I was shopping. Sweetie's relatives were over, and there I was, simply ignoring everything that was not darkroom equipment, (but staring pretty intently at what was.) Sweetie's like, 'Err, what are you looking at?')
Anyway, I was wondering, actually, if Jem's setup is really as stable as can be when the camera is vertical. Does look a bit hang-ey.
I like the practicality of it, since for occasions when I get set up a little studio-like, it seems it'd be great for swapping digital and film cameras on and off, without buying too much custom stuff. I think I could just add some pinsto a regular plate and have something very nice for my old Mamiya. Fairly standard ones for the other film cameras, something for the K20, and be all good to go.