And my second challenge month comes to an end having just posted the last three days' images.
The Challenge wouldn't be too difficult it all I had to do was take photos! But then there's the post processing and narrowing down a day's images to select the one to post (some days that was pretty easy as only one or two images were any good). Followed by keeping up with all the good work everyone here has been posting. And after all that, everyday life! December is mad enough at the best of times, so I'll come back into a Single in.. month early next year. In the meantime, Merry Christmas everyone and thanks for all the comments made on my posted photos - much appreciated. I'll continue to lurk about the Single in.. threads and post the occasional comment.
As for the
M85 2.0:
It felt like a bit of a roller coaster with this lens. As a portrait lens it's great and seems to be designed for exactly that. It's just that I don't do portraits much and forced it to do other things for most of the month. As blackcloudbrew commented on his Tamron 90mm, it's a slightly awkward focal length on APS-C. Great for portraits when you don't want to intrude in the subject's personal space, but often too tight for city shooting. Found I was happier with it up in the hills or at the beach where more open spaces meant you didn't have to rule out as many potential shots.
Some tendency to chromatic aberrations but considering the strong sunshine we had over November, behaved pretty well on average for an old tele lens. I avoided wide open as blue chromatic fringing appears at a drop of a hat at F2, but F2.8 was quite usable with any fringing easily cured in Lightroom (which, BTW, has much better fringing removal tools in v4.2). Fringing mostly gone by F4 and I don't think I noticed any at F5.6. Most of my photos were taken at F4 or F5.6 where the lens is very sharp (when I managed to exactly nail the focus where I intended it to be), but F2.8 was no slouch either. F2 is noticeably soft in a nice dreamy way and with the blue fringing tendency, I think F2 was intended purely for studio based controlled lighting environments, and not for outdoor use.
It hates doing starbursts - hard to provoke to start with, and when you got some, you also ended up with some sort of a big coma smear and lots and lots of rainbow chromatics around the light source. If you want pretty starbursts, choose another lens.
Colours not as rich as some of the other M series primes but it does do skin tones well. Really appreciates a good hood outdoors and a CPL helps as well.
A few days ago, I looked back on the M28 3.5 images I posted for Single in September and came to the view that those images had a lot more pop that the M85. I am resisting blaming the M85 entirely for that at the moment - I upgraded to Lightroom 4 at the start of November and I think the changes to the processing engine defaults contribute quite a lot to what I am seeing as the differences in rendering between the two lens. In particular, changes to the default Tone Curve has reduced the starting amount of contrast. I may well yet decide to add a Tone Curve contrast boost to my standard File Import presets. Annoyingly I've only realised this right at the end of the month. I'd hazard a guess thought that the M85 would still be a little lower in contrast.
In conclusion, it really feels like Pentax developed this lens purely and simply for portraiture and resisted any temptation to make it an all-rounder.
Oh, and my new to me M35 2.0 has just arrived from Ohio. Oh no, something else to be taken out for a photo session
Better go and update my signature yet again too.