Originally posted by baro-nite Very brave to go to Mr. HDR's opening! At least he just asked you if you wanted to buy something -- smooth operator, that -- rather than what you thought.
O.M.G. he would have gotten an earful. I'm pretty confident to interact socially, plus art school training has given me a set of skills for public critique. I would have seen that balloon deflate real quick.
I didn't know we did a lens review! Guess I should have read the rules more thoroughly! Or is that an informal thing?
I got my copy of the Pentax-M 135mm f/3.5 from Gass Camera Repair in Shawnee, KS. The man there, Terrence Gass, was trying to sell me a 28mm, but I am really happy with my Sigma Mini-Wide II, so I wasn't shopping in that length. He asked if I had a "portrait lens" and I told him I did not. He put this thing on a K1000 and let me look through it. I love the handling of it immediately, knew the view would be slightly different through the K30. I bought the M135/3.5, a Promaster 2x teleconverter and a roll of Kodak Gold 100 for $60. He asked for $50, but I gave him all the cash I had. Very nice old camera guy, fun to talk to.
I enjoy taking this lens with me on any car ride because it lets me "go outside" the car and eliminates views of rearview mirrors and car interiors. I live in a rural area in the middle of America and driving long distances is pretty much an every day occurrence.
I chose this lens for the month because I figured I could shoot from the car, since March in Missouri is EXTREMELY unpredictable, weather-wise and has proven the rule again this past month. 0F, snow, ice, sleet, rain, sun, 70F, and even a tornado warning. I'm glad I was able to stay in my car!
I am not much of a telephoto shooter, but this lens is on the short end of telephoto, so I was able to adapt to the focal length pretty quickly. Using 135mm definitely influenced the kinds of shots I took and I ended up with a lot of architectural detail, and from within that subject matter I was able to find an aesthetic and a subject matter I was interested in. I did explore several methods of achieving focus and I have actually revolutionized my viewfinder habits!! I used to be one of those people who squinted one eye closed to look through the other, but now I almost exclusively have BOTH eyes open and it has made accurately focusing much much much much easier. I can hardly believe I never tried it before. Really an incredible realization.
Since I shot from the car, most of the subject matter was a standard sort of distance away, so I did not have to fiddle much with the focus throw, although I do admit it is quite long. Towards the end of the challenge, I gave up fiddling with shutter speed and adjusted exposure almost exclusively with the aperture ring; it just made more sense to my brain and the tactility of the ring was more "real" than the click wheel on the camera to change shutter speed. Because of the longer focal length, I had to remember to keep shutter speed high, tried to keep it above 1/160, and ideally above 1/250 to prevent motion blur/camera shake. I did not do much experimentation with subject isolation, and I feel like f/3.5 is a little too slow to do it right, anyway.
Bokeh was noisy and jittery at best, and wide-open my lens as some green CA. Thankfully, for the subjects I was shooting, it really didn't factor in.
I am not sure whether my subject suited the focal length, or if I adapted the shots to fit the lens, but I feel like this month was a perfect storm for subject matter and lens pairing. Extremely enjoyable and I am grateful to have been able to participate in this society.